A black teenager struggles to come to terms with his identity, his troubled past, and his broken home in Silicon Valley.
The year is 2002, and 14-year-old Chad Loudermilk is trying to cope as best he can. He’s black, but everyone in his surrounding community of Palo Alto is white, the parents who adopted him included. His family is falling apart—his father, Ray, is struggling to make ends meet while constantly comparing himself to their wealthy neighbors, the MacAvoys, while his mother, Allison, is struggling with the recent death of her mother. When Chad’s only friend, Walter Chen, falls ill, things with the MacAvoys reach a breaking point, and Palo Alto begins to turn into modern Silicon Valley, Chad finds himself thinking more and more about his birthparents in a quest to connect with where he came from and figure out who he wants to be. An array of diverse characters peppers Rossmann’s debut, which brims with the essence of the early years of the century. Allison’s sister, Diana Marchese, feels the fullest of the cast, and scenes of her romantic entanglements at academic conferences and reflections on romance, aging, and life feel fresh and true to life. Rossmann, who is white, takes on the tough challenge of making her main character a black teenager, and though Chad is vivid and his growth drives the narrative, certain moments that center on race and racial anxiety can feel grating, such as when Rossmann describes a party crowd as “black and Latino, throbbing to the beat of the music as if organically connected to it.” Though the novel suffers from slight lethargy at its outset, it picks up quite effectively, has a strong finish, and stands as a testament to a changing city in a changing country at a defining time in history.
A thoughtful, caring examination of race, class, and wealth in America.Pub Date: Nov. 14, 2018
ISBN: 978-0-9913687-2-3
Page Count: 330
Publisher: 7.13 Books
Review Posted Online: Sept. 18, 2018
Kirkus Reviews Issue: Oct. 1, 2018
Categories: GENERAL FICTION
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Debut novel by hip-hop rap artist Sister Souljah, whose No Disrespect (1994), which mixes sexual history with political diatribe, is popular in schools country-wide. In its way, this is a tour de force of black English and underworld slang, as finely tuned to its heroine’s voice as Alice Walker’s The Color Purple. The subject matter, though, has a certain flashiness, like a black Godfather family saga, and the heroine’s eventual fall develops only glancingly from her character. Born to a 14-year-old mother during one of New York’s worst snowstorms, Winter Santiaga is the teenaged daughter of Ricky Santiaga, Brooklyn’s top drug dealer, who lives like an Arab prince and treats his wife and four daughters like a queen and her princesses. Winter lost her virginity at 12 and now focuses unwaveringly on varieties of adolescent self-indulgence: sex and sugar-daddies, clothes, and getting her own way. She uses school only as a stepping-stone for getting out of the house—after all, nobody’s paying her to go there. But if there’s no money in it, why go? Meanwhile, Daddy decides it’s time to move out of Brooklyn to truly fancy digs on Long Island, though this places him in the discomfiting position of not being absolutely hands-on with his dealers; and sure enough the rise of some young Turks leads to his arrest. Then he does something really stupid: he murders his wife’s two weak brothers in jail with him on Riker’s Island and gets two consecutive life sentences. Winter’s then on her own, especially with Bullet, who may have replaced her dad as top hood, though when she selfishly fails to help her pregnant buddy Simone, there’s worse—much worse—to come. Thinness aside: riveting stuff, with language so frank it curls your hair. (Author tour)
Pub Date: April 1, 1999
ISBN: 0-671-02578-3
Page Count: 320
Publisher: Pocket
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Feb. 1, 1999
Categories: GENERAL FICTION
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The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 22, 2014
Kirkus Reviews Issue: Jan. 1, 2015
Categories: GENERAL FICTION
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