A highly strung novel that’s strengthened by its attention to how people forgive and connect.


In Patrick’s debut novel, a teenager seeks out her father, who has bipolar disorder.

After her mother commits suicide, 15-year-old Regan Whitmer escapes her bad memories and her stepfather’s religious strictures to go in search of her biological father, Will Fletcher, whom she’s never met. He lives in Half Moon Hollow, Ohio (population 1,500), the kind of town that worships its high school football team and has little tolerance for people like Will, who has bipolar disorder. He used to be a veterinarian, but now he cleans up cages at the animal shelter. His younger sister, Janey, a comic-book artist, is his guardian, and if she can’t control him, the next step is institutionalization. Will, who once lost an infant daughter, doesn’t feel ready to be a parent when Regan appears, but Janey insists on welcoming her. As Regan adjusts to a new high school, Will’s reputation does her no favors, but popular football player Lane Barrett takes a liking to her, and the new school principal, Lindsay Shepherd, is kind. As various characters try to make meaningful connections—Will and Regan, Regan and Lane, Lindsay and Will, Janey and Lindsay—their efforts are often hampered by corrosive shame, loss, or regret. Dramatic events lead to revelations and reconciliations. In her debut novel, Patrick writes with sensitivity about the trials of mental illness for both sufferers and caregivers. She also captures Regan’s past and present struggles well, making her a thoughtful young person, not just a victim. The tragedy at the novel’s heart, the baby’s death, is also heartbreaking but not exploitative. However, the story is overloaded with melodrama, especially when the mayor becomes a hard-to-believe Snidely Whiplash–style villain. A final twist at the end is also ill-considered, badly undercutting the novel’s emotional logic regarding Will’s efforts to come to terms with a mistake. Still, Patrick’s hopefulness about recovery, friendship, and caring is well-earned.

A highly strung novel that’s strengthened by its attention to how people forgive and connect.

Pub Date: June 6, 2017

ISBN: 978-1-943006-18-2

Page Count: 376

Publisher: Spark Press

Review Posted Online: May 16, 2017

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.


Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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Why you double-crossing little double crossers! Fiendishly clever.


The daughter of a grifter plans to fund her mother’s cancer treatment with a revenge con.

Rich people suck, don’t they? Nina Ross found this out in her adolescence, when her romance with Benny Liebling was broken up by his status-obsessed, old-money father, who found them screwing in the guest cottage of the family’s Lake Tahoe estate. Back then, Nina had a future—but she’s since followed her con-artist mother into the family business with the help of a handsome blue-eyed Irish confederate named Lachlan. “Here’s my rule,” Nina tells him. “Only people who have too much, and only people who deserve it.” Of course, he agrees. “We take only what we need.” With her art history background, Nina is usually able to target a few expensive antiques they can lift without the rich dopes even noticing they’re gone. But now that Nina's mother is hovering at death’s door without health insurance, she’s going after the $1 million in cash Benny mentioned was in his father’s safe all those years ago. So back to Lake Tahoe it is. The older Lieblings are dead, and Benny’s in the bin, so it’s his sister Vanessa Liebling who is the target of the complicated caper. Vanessa is a terribly annoying character—“I couldn’t tell you how I went from a few dozen Instagram followers to a half-million. One day, you’re uploading photos of your dog wearing sunglasses; and the next you’re begin flown to Coachella on a private jet with four other social media It Girls…”—but, in fact, you’ll hate everyone in this book. That is surely Brown’s (Watch Me Disappear, 2017, etc.) intention as she’s the one making them natter on this way. She also makes them vomit much more than is normal, whether it’s because they’re poisoning each other or because they’re just so horrified by each other’s behavior. Definitely stay to see how it all turns out.

Why you double-crossing little double crossers! Fiendishly clever.

Pub Date: April 21, 2020

ISBN: 978-0-525-47912-3

Page Count: 496

Publisher: Random House

Review Posted Online: Jan. 13, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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