A thoughtful, deeply researched debut.
Through shifting viewpoints, this roving saga about immigration, sacrifice, and fate explores the consequences of making difficult decisions for the sake of one's family.
Having abandoned his premedical studies, Sunil Chandaria is a philosophy graduate student at Harvard, stumped by the prospect of finishing his dissertation on the origins of moral beliefs. His mother, Urmila, runs a struggling gift shop with imported goods in her local mall in Ohio. And Premchand, his father, remains at a distant remove from them both, by turns baffled by and enamored of his son's American lifestyle. When he immigrated from Kenya to Columbus, Ohio, Premchand sought career and financial stability in a medical practice, ultimately creating an unbridgeable cultural gap between his family's two generations: "Premchand's own absorption...had made him lose sight of the fact that in America a child could grow up to be anything. He had not presented his son with any options. Premchand had not known himself what they were." Ultimately, however, it's one of Urmila's decisions that shakes the family to its core, setting off a series of events both tragic and mundane in the U.S. and overseas. Acker's debut is a carefully drawn portrait of a family constrained by choices that reach back generations, from the patriarch's resolve to leave India to seek work building a railroad through the Kenyan plains to Sunil's desire to marry longtime girlfriend Amy, an ambitious scientist who doesn't meet with his mother's approval. In many ways, this is a novel of ideas, and Acker draws heavily on philosophy and histories of British colonialism as her characters parse out the meaning of their decisions—or their inability to make them with clarity and freedom. This sensibility makes for a book grounded in the head, rather than the heart, but it also gives Acker's characters more room to behave in very human ways, whether stubborn, small, or cruel. It's a rare but honest look at the way parents, children, and spouses talk to one another but don't always hear what's being said.
A thoughtful, deeply researched debut.Pub Date: April 16, 2019
ISBN: 978-1-883285-77-7
Page Count: 300
Publisher: Delphinium
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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