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HIGH MAINTENANCE

A meandering story, though funny enough in a blasé way, featuring sly asides on everything from the perfidy of men to the...

Love and a nice apartment are hard to find in Manhattan, says this second novel by the author of Going Down (1996).

The daughter of a rich fashion designer, Liv Kellerman never had to work a day in her life—until she left her lawyer husband when he started taking Prozac and stopped having sex with her. Problem is, he owns their apartment. Liv takes a job reading to a blind judge, but she can’t afford the cockroach-infested MacDougal Street walkup she’s found on a salary of eight dollars an hour. So she signs on as a real-estate trainee in a seedy office run by a mannish woman named Dale and is soon earning commissions on various weird lofts and living spaces. Wearying of Dale’s out-loud fantasizing about the young girls she lusts after, Liv moves on to a much more upscale firm, raking in bigger commissions and learning that rich clients can be really strange. (One couple asks whether she’d be interested in donating an egg or two to provide a sibling for their precious tot. She demurs.) Her affair with Andrew Lugar, an eccentric architect who likes to bite during sex, is going nowhere; ditto her divorce. After reading Andrew’s diary, annoyed by his loony, egomaniacal descriptions of their slightly warped romance and by the realization that he never intended to leave his girlfriend, Liv contemplates shooting the jerk. She settles for dumping him after he chomps off her earlobe. Nothing ever comes up roses for this contemporary urban heroine: her soon-to-be-ex is selling their old apartment, she has to show it to buyers who criticize the décor . . . and so on. All this convoluted action would be a lot more compelling, however, if Liz had even half the sexiness and spunk of Bennington Bloom, Going Down’s call-girl heroine

A meandering story, though funny enough in a blasé way, featuring sly asides on everything from the perfidy of men to the purpose of Thanksgiving turkeys.

Pub Date: May 7, 2001

ISBN: 1-57322-185-6

Page Count: 400

Publisher: Riverhead

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2001

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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