Despite the catchy title, this is a dense and serious work packed with important information, highly recommended for health...
A feminist journalist’s well-documented broadside against a medical system that is still shaped by its patriarchal origins.
With extensive historical research and personal interviews, Block (Pushed: The Painful Truth About Childbirth and Modern Maternity Care, 2007), a former editor at Ms. and editor of the revised Our Bodies, Our Selves, demonstrates that women are more vulnerable to overtesting, overdiagnosing, overtreatment, and mistreatment than men. The three horror stories that open her introduction give a taste of what is to come. “You may already be familiar,” she writes, “with a version of this story: Woman needs medical care. Woman is ignored. Woman has to fight.” The personal stories are stirring, even anger-arousing, but the author also offers a solid, well-researched history of mistreatment in the medical field as well as countless statistics and a wealth of expert testimony that lend credibility to her story. Calling the present cesarean rate a national health crisis, Block also looks at hysterectomies, annual pelvic exams, Pap tests, and mammograms. She delves into fertility interventions, the close ties between the pharmaceutical industry and the women’s health advocacy community, and the growth of underground abortions. This book is a call for “reproductive justice,” which Block explains means not just a right to contraception and abortion, but to fertility and sexuality—an area where she faults mainstream organizations such as Planned Parenthood and the National Organization for Women for falling short. After pointing out the many ways in which the health care system is failing women, the author proposes that the solution lies in a new feminist health movement, less focused, as it once was, on self-exam. According to Block, we must take a broader, collaborative view, acknowledging that the issues are ideological and cultural rather than just political or economic.
Despite the catchy title, this is a dense and serious work packed with important information, highly recommended for health professionals, classes in women’s studies, and any woman who seeks guidance in these issues.Pub Date: July 16, 2019
ISBN: 978-1-250-11005-3
Page Count: 336
Publisher: St. Martin's
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
BOOK REVIEW
An eclectic assortment of women make for an entertaining read.
An exuberant celebration of more than 100 women who shaped the myths and realities of New York City.
In her debut book, journalist Scelfo, who has written for the New York Times and Newsweek, aims to counter histories of New York that focus only on “male political leaders and male activists and male cultural tastemakers.” As the author discovered and shows, the contributions of women have been deeply significant, and she has chosen a copious roster of personalities, gathered under three dozen rubrics, such as “The Caretakers” (pioneering physicians Dr. Elizabeth Blackwell and Dr. Sara Josephine Baker, who enacted revolutionary hygienic measures in early-20th-century tenements); “The Loudmouths” (Joan Rivers and Better Midler); and “Wall Street” (brokerage firm founder Victoria Woodhull and miserly investor Hetty Green). With a plethora of women to choose from, Scelfo aimed for representation from musical theater, law enforcement, education, social justice movements, and various professions and organizations. Some of the women are familiar (Jacqueline Kennedy Onassis for her preservation work; Brooke Astor for her philanthropy), some iconic (Emma Lazarus, in a category of her own as “The Beacon”), and some little-known (artist Hildreth Meière, whose art deco designs can be seen on the south facade of Radio City Music Hall). One odd category is “The Crooks,” which includes several forgettable women who contributed to the city’s “cons and crimes.” The author’s brief, breezy bios reveal quirky facts about each woman, a form better suited to “The In-Crowd” (restaurateur Elaine Kaufman, hardly a crowd), entertainers (Betty Comden, Ethel Waters), and “The Wisecrackers” (Nora Ephron, Tina Fey) than to Susan Sontag, Edith Wharton, and Joan Didion. Nevertheless, the book is lively and fun, with something, no doubt, to pique anyone’s interest. Heald’s blithe illustrations add to the lighthearted mood.
An eclectic assortment of women make for an entertaining read.Pub Date: Oct. 25, 2016
ISBN: 978-1-58005-653-3
Page Count: 304
Publisher: Seal Press
Review Posted Online: Aug. 20, 2016
Kirkus Reviews Issue: Sept. 1, 2016
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.
Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."
Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.Pub Date: Feb. 1, 1969
ISBN: 0375507892
Page Count: 235
Publisher: Random House
Review Posted Online: May 14, 2012
Kirkus Reviews Issue: Feb. 1, 1969
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