An optimistic supernatural tale with both fresh and familiar ingredients.


In this YA fantasy, tragedy leads a young woman to a new life, unusual friends, and the truth about her recurring nightmares.

Eighteen-year-old Shanntal of Greyton isn’t sleeping well. Her nightmares involve pursuit through the woods, a red-eyed figure, and a craving for blood. She hopes that her best friend, 20-year-old Ginata, will provide relief. Her parents drop her off at her spunky friend’s home for a sleepover, and Ginata suggests playing with a Ouija board. When a spirit named Daray answers, the game quickly takes a dark turn. The Ouija planchette spells out “I-WILL-FIND-YOU,” and Shanntal assumes she’s the target. The next evening, Ginata’s parents drive Shanntal home only to find a dark, empty-looking residence. Inside, Shanntal’s parents and younger siblings have been killed—drained of blood. After a hospital stay, she moves in with Auntie Stephanie and Uncle Danier on Blackwood Island. Life is lonely there until she meets Jayce Fallon, who has “deep brown eyes” and a sympathetic ear. He takes her to Mystic Beach and introduces his own friends—Terran, Aiden, Makan, and Meriel—who happen to be the immortal avatars of earth, air, fire, and water. Shanntal is amazed but can’t help but wonder what she’s done to deserve such a remarkable crop of new friends. In her novel, Blyth (Stormy Saturday, 2015) teases the answer while crafting a tense romantic triangle with Jayce, the telepathic keeper of the elements; Daray, a vampire with ties to Shanntal’s past; and the protagonist, whose memories of childhood are hazy. While Jayce’s mental connection to Shanntal is intrusive and potentially domineering, he promises to behave himself and “give space whenever needed.” Their lives together could be perfect, and the author deftly conveys that first splash into love (“I felt lightheaded, and my lips burned hot”). But vampires, werewolves, and hoofed doomahorns complicate their situation. On Shanntal’s side, aside from elementals, are unicorns, fairies, and shape-shifters like Layla. Though Blyth takes readers through familiar genre terrain (like the Twilight series), Shanntal’s determination to be more than a damsel in distress is key to her appeal.

An optimistic supernatural tale with both fresh and familiar ingredients.

Pub Date: Dec. 30, 2015

ISBN: 978-1-64361-213-3

Page Count: 376

Publisher: iUniverse

Review Posted Online: Nov. 16, 2018

Kirkus Reviews Issue: Jan. 15, 2019

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While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the...


Hannah’s sequel to Firefly Lane (2008) demonstrates that those who ignore family history are often condemned to repeat it.

When we last left Kate and Tully, the best friends portrayed in Firefly Lane, the friendship was on rocky ground. Now Kate has died of cancer, and Tully, whose once-stellar TV talk show career is in free fall, is wracked with guilt over her failure to be there for Kate until her very last days. Kate’s death has cemented the distrust between her husband, Johnny, and daughter Marah, who expresses her grief by cutting herself and dropping out of college to hang out with goth poet Paxton. Told mostly in flashbacks by Tully, Johnny, Marah and Tully’s long-estranged mother, Dorothy, aka Cloud, the story piles up disasters like the derailment of a high-speed train. Increasingly addicted to prescription sedatives and alcohol, Tully crashes her car and now hovers near death, attended by Kate’s spirit, as the other characters gather to see what their shortsightedness has wrought. We learn that Tully had tried to parent Marah after her father no longer could. Her hard-drinking decline was triggered by Johnny’s anger at her for keeping Marah and Paxton’s liaison secret. Johnny realizes that he only exacerbated Marah’s depression by uprooting the family from their Seattle home. Unexpectedly, Cloud, who rebuffed Tully’s every attempt to reconcile, also appears at her daughter’s bedside. Sixty-nine years old and finally sober, Cloud details for the first time the abusive childhood, complete with commitments to mental hospitals and electroshock treatments, that led to her life as a junkie lowlife and punching bag for trailer-trash men. Although powerful, Cloud’s largely peripheral story deflects focus away from the main conflict, as if Hannah was loath to tackle the intractable thicket in which she mired her main characters.

Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the pages turning even as readers begin to resent being drawn into this masochistic morass.

Pub Date: April 23, 2013

ISBN: 978-0-312-57721-6

Page Count: 416

Publisher: St. Martin's

Review Posted Online: Feb. 18, 2013

Kirkus Reviews Issue: March 1, 2013

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