A vividly written and stark chronicle of Nazism and its legacies.


A daughter strives to unlock the secrets of her mother’s past, which her mother has ample reason to hide, in Epstein’s (The Gods of Heavenly Punishment, 2013, etc.) third novel.

Three women carry the narrative weight of this searing novel, set in pre– and post–World War II Berlin and New York City in the 1970s and '80s. Now that she's a mother herself, Ava, a struggling artist in the East Village, is determined to confront her own mother, Ilse, who left her in an orphanage in the waning days of the war, eventually retrieving her but never telling her the identity of her father or much about her own past. Ilse’s sections, set in the '30s during the years leading up to Kristallnacht, make it abundantly clear why. Ilse joins the Hitler Youth female division, the Bund Deutscher Mädel, and becomes an enthusiastic Nazi, to the horror of her former best friend, Renate. As the noose slowly tightens around Berlin’s Jews, Renate and her family are not immediately affected by the oppressive racial laws, since she and brother Franz are Mischlings, only half Jewish; her mother, a psychiatrist, is “Aryan” and her father considers himself a Lutheran until the Nazi registration system exposes his Jewish ancestry. The stories of Ilse and Renate are viscerally quotidian in detailing how Nazism distorts their adolescence. Renate’s gradual ostracism by her school—formerly a top student, she is subjected to racism-dictated grade deflation—and even by those she counted as friends, is excruciating to read. The characterization of Ilse is more challenging, but her enthusiastic embrace of the lifestyle of a Hitler devotee is authentically depicted, as is her dogged refusal to be disillusioned despite various rude awakenings to the role envisioned for women in the Reich. Representing the German postwar generation, Ava holds her own here and is not merely an afterthought; her relationship with Ulrich, son of an Auschwitz victim, is particularly poignant and echoes the friendship of Ilse and Renate, which neither ever truly renounces, at least psychically.

A vividly written and stark chronicle of Nazism and its legacies.

Pub Date: April 26, 2019

ISBN: 978-0-525-57690-7

Page Count: 384

Publisher: Crown

Review Posted Online: Feb. 3, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable...

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Sydney and Ridge make beautiful music together in a love triangle written by Hoover (Losing Hope, 2013, etc.), with a link to a digital soundtrack by American Idol contestant Griffin Peterson. 

Hoover is a master at writing scenes from dual perspectives. While music student Sydney is watching her neighbor Ridge play guitar on his balcony across the courtyard, Ridge is watching Sydney’s boyfriend, Hunter, secretly make out with her best friend on her balcony. The two begin a songwriting partnership that grows into something more once Sydney dumps Hunter and decides to crash with Ridge and his two roommates while she gets back on her feet. She finds out after the fact that Ridge already has a long-distance girlfriend, Maggie—and that he's deaf. Ridge’s deafness doesn’t impede their relationship or their music. In fact, it creates opportunities for sexy nonverbal communication and witty text messages: Ridge tenderly washes off a message he wrote on Sydney’s hand in ink, and when Sydney adds a few too many e’s to the word “squee” in her text, Ridge replies, “If those letters really make up a sound, I am so, so glad I can’t hear it.” While they fight their mutual attraction, their hope that “maybe someday” they can be together playfully comes out in their music. Peterson’s eight original songs flesh out Sydney’s lyrics with a good mix of moody musical styles: “Living a Lie” has the drama of a Coldplay piano ballad, while the chorus of “Maybe Someday” marches to the rhythm of the Lumineers. But Ridge’s lingering feelings for Maggie cause heartache for all three of them. Independent Maggie never complains about Ridge’s friendship with Sydney, and it's hard to even want Ridge to leave Maggie when she reveals her devastating secret. But Ridge can’t hide his feelings for Sydney long—and they face their dilemma with refreshing emotional honesty. 

Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable characters and just the right amount of sexual tension.

Pub Date: March 18, 2014

ISBN: 978-1-4767-5316-4

Page Count: 384

Publisher: Atria

Review Posted Online: May 6, 2014

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Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.


Named for an imperfectly worded fortune cookie, Hoover's (It Ends with Us, 2016, etc.) latest compares a woman’s relationship with her husband before and after she finds out she’s infertile.

Quinn meets her future husband, Graham, in front of her soon-to-be-ex-fiance’s apartment, where Graham is about to confront him for having an affair with his girlfriend. A few years later, they are happily married but struggling to conceive. The “then and now” format—with alternating chapters moving back and forth in time—allows a hopeful romance to blossom within a dark but relatable dilemma. Back then, Quinn’s bad breakup leads her to the love of her life. In the now, she’s exhausted a laundry list of fertility options, from IVF treatments to adoption, and the silver lining is harder to find. Quinn’s bad relationship with her wealthy mother also prevents her from asking for more money to throw at the problem. But just when Quinn’s narrative starts to sound like she’s writing a long Facebook rant about her struggles, she reveals the larger issue: Ever since she and Graham have been trying to have a baby, intimacy has become a chore, and she doesn’t know how to tell him. Instead, she hopes the contents of a mystery box she’s kept since their wedding day will help her decide their fate. With a few well-timed silences, Hoover turns the fairly common problem of infertility into the more universal problem of poor communication. Graham and Quinn may or may not become parents, but if they don’t talk about their feelings, they won’t remain a couple, either.

Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.

Pub Date: July 17, 2018

ISBN: 978-1-5011-7159-8

Page Count: 320

Publisher: Atria

Review Posted Online: April 30, 2018

Kirkus Reviews Issue: May 15, 2018

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