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FAKING IT

Perfect escapist fare: Who knew Ohio could be so much fun?

A raunchy, romantic comedy about art forgery, thievery, and all manner of con-artistry that’s as hard to resist as one of Davy Dempsey’s cons.

Davy, whose older sister Sophie starred in Crusie’s last outing (Welcome to Temptation, 2000), comes from a long line of scam artists. He arrives in Columbus, Ohio, to steal back his own money from ex-girl friend Clea, a charmer whose wealthy husbands tend to die under suspicious circumstances. Davy’s plan is to go straight once he has the money, but old habits die hard. Born into a family of art swindlers, Tilda Goodnight is now a respectable painter of residential masterpiece murals (Botticelli in the bathroom). She’s desperate to “retrieve” a painting her niece has mistakenly sold to Clea that could expose Tilda’s larcenous teenage career, when she painted under the name Scarlet Hodge, the imaginary daughter of the respected primitive Homer Hodge. Davy and Tilda meet in Clea’s closet while attempting their separate burglaries. Soon Davy has rented a room at the Goodnight Gallery and met Tilda’s lovely, unhappy mother Gwen, her angelic sister Eve, Eve’s gay ex-husband and troubled adolescent daughter, not to mention Eve’s lascivious alter ego Louise. The Goodnights are a family of eccentric delights, and Crusie avoids the pitfall of portraying them as too impossibly cute or sweet: the sense of real human frailty in all her characters makes even the villains oddly endearing. As Davy helps Tilda retrieve the rest of the Scarlets, the two play a game of sexual cat and mouse that culminates in some very hot sex. Meanwhile, Gwen, who has a secret of her own, is courted both by the art patron Clea has marked as her next fiancé and by the Goodnights’ mysterious new Gallery boarder, whom they suspect Clea has hired as a hit man to kill Davy in this roller-coaster ride of double identities, scams, and misinformation, none meant to be taken too seriously.

Perfect escapist fare: Who knew Ohio could be so much fun?

Pub Date: Aug. 19, 2002

ISBN: 0-312-28468-3

Page Count: 352

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2002

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SHELTER IN PLACE

Roberts’ newest is part thriller, part romance, part survivors’ psychological study with a touch of New Age magic—and a...

The victims of a mass shooting—including two young heroes from the tragedy—are moving forward in their lives, affected in different ways, when they're stunned to discover a serial killer is targeting survivors.

Simone Knox and Reed Quartermaine were both survivors of a mass shooting at a mall in Portland, Maine. Afterward, Simone, grateful to be alive, vows to be a better daughter and at first tries to conform to her parents’ conservative expectations. However, she soon realizes she’ll never be happy appeasing them and finally chooses to follow her artistic dreams in order to lead a more authentic life. Reed, inspired by Essie McVee, the first police officer on the scene, becomes a detective, eventually becoming Essie's partner and close friend. Years later, survivors of the massacre begin to die, and Reed is convinced the deaths are connected—but not even Essie takes him seriously until the killer targets him. Reed is wounded but survives, and suddenly everyone believes him. The cunning psychopath escapes into the ether, armed with money, lots of false identification, and a seething desire for revenge. Taking time to heal, Reed visits Tranquility Island, Maine, his childhood vacation spot, and falls in love with the place. He also meets a charismatic older woman who helps him land the house of his dreams and the position of police chief. Falling in love with her granddaughter, Simone—whom he had been aware of since the tragedy but had never met—seems like fate. Reed settles into his new job and hooks up with the FBI regarding the case, convinced their face-off has frustrated the vengeful killer. As heroic survivors, Reed and Simone are prime targets, and now that they’ve found each other, the stakes are higher than ever. Facing the hunter means fighting for their lives, love, and happiness while silencing the violent echoes of the worst day of their lives. Fascinating characters—Simone's grandmother is a standout—and a sprawling plot that covers a lot of ground yet keeps the reader engaged offer a surprisingly compelling and poignant redemption story that begins with a tragic mass shooting.

Roberts’ newest is part thriller, part romance, part survivors’ psychological study with a touch of New Age magic—and a lively, captivating read.

Pub Date: May 29, 2018

ISBN: 978-1-250-16159-8

Page Count: 448

Publisher: St. Martin's

Review Posted Online: March 4, 2018

Kirkus Reviews Issue: March 15, 2018

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THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

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A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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