Lots of sugar and little substance, but a fun ride nonetheless.
Crusie and Mayer team up again (Don’t Look Down, 2006) in a comic caper and raucous romance.
Agnes is a quirky, teetering-on-the-edge-of-insanity chef with a hit cookbook and a penchant for whacking ex-fiancées with frying pans. Shane is a handsome hitman with a shady past. When Agnes is attacked after moving into her dream house in the small southern town of Keyes, S.C., Shane’s Uncle Joey, a mobster with a soft spot for Agnes, sends his nephew to protect her. Shane, having just botched a big job, is questioning his future as a professional killer. When he meets Agnes, her home cooking and voluptuous curves quickly dissolve his tough exterior. Within a nanosecond, the two fall for each other, a coupling about as realistic as the rest of the plot, but forgivable as it makes up in entertainment value what it lacks in plausibility. Bedding a hitman, unraveling the mystery surrounding her house and fending off assassins are only some of Agnes’s concerns. She is also hosting her best friend’s daughter’s wedding at the end of the week, an occasion the grandmother of the bride continually tries to sabotage with, among other creative and psychotic episodes, a delivery of pink flamingos on Agnes’s lawn. But our heroine forges ahead, becoming extra-determined to pull it all off when she learns she will lose her dream house if the wedding doesn’t happen. The cast of local characters makes for a colorful, albeit clichéd, ensemble: Sexy older women, backcountry hicks, an emotional bodyguard and a mobster-in-disguise are added to the mix, though readers may get lost in the mish-mash of names and whodunits as the complicated mafia history unwinds. Despite the movie-like shoot-outs, cheesy cops-and-robbers banter and borderline-painful pillow talk, this is more farce than melodrama. Still, certain scenes are laugh-out-loud funny, and while Shane falls flat, crazy Agnes is a feisty, likable character worth rooting for.
Lots of sugar and little substance, but a fun ride nonetheless.Pub Date: Aug. 21, 2007
ISBN: 978-0-312-36304-8
Page Count: 384
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2007
Entertaining and thoroughly engrossing.
Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.
Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.
Entertaining and thoroughly engrossing.Pub Date: March 31, 2020
ISBN: 978-1-250-12941-3
Page Count: 448
Publisher: Henry Holt
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
BOOK REVIEW
BOOK REVIEW
Hannah, after eight paperbacks, abandons her successful time-travelers for a hardcover life of kitchen-sink romance. Everyone must have got the Olympic Peninsula memo for this spring because, as of this reading, authors Hannah, Nora Roberts, and JoAnn Ross have all placed their newest romances in or near the Quinault rain forest. Here, 40ish Annie Colwater, returns to Washington State after her husband, high-powered Los Angeles lawyer Blake, tells her he’s found another (younger) woman and wants a divorce. Although a Stanford graduate, Annie has known only a life of perfect wifedom: matching Blake’s ties to his suits and cooking meals from Gourmet magazine. What is she to do with her shattered life? Well, she returns to dad’s house in the small town of Mystic, cuts off all her hair (for a different look), and goes to work as a nanny for lawman Nick Delacroix, whose wife has committed suicide, whose young daughter Izzy refuses to speak, and who himself has descended into despair and alcoholism. Annie spruces up Nick’s home on Mystic Lake and sends “Izzy-bear” back into speech mode. And, after Nick begins attending AA meetings, she and he become lovers. Still, when Annie learns that she’s pregnant not with Nick’s but with Blake’s child, she heads back to her empty life in the Malibu Colony. The baby arrives prematurely, and mean-spirited Blake doesn’t even stick around to support his wife. At this point, it’s perfectly clear to Annie—and the reader—that she’s justified in taking her newborn daughter and driving back north. Hannah’s characters indulge in so many stages of the weeps, from glassy eyes to flat-out sobs, that tear ducts are almost bound to stay dry. (First printing of 100,000; first serial to Good Housekeeping; Literary Guild/Doubleday book club selections)
Pub Date: March 31, 1999
ISBN: 0-609-60249-7
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1999
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