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MAYBE THIS TIME

A charmless romance, neither funny nor scary.

Crusie (Agnes and the Hitman, 2007, etc.) returns with a romantic comedy cum ghost story with facetious nods to Henry James and Daphne du Maurier.                

Ten years ago Andie met, married and divorced love of her life North because he put his Columbus, Ohio, law career ahead of their marriage. Now that she’s engaged to a nice writer, she drops by North’s office to return the years of alimony checks she never cashed. North immediately offers a proposition she convinces herself she can’t refuse: $10,000 if she will spend a month in the wilds of southern Ohio caring for two orphaned children, distant relatives for whom he’s had responsibility since their Aunt May’s death two years earlier. North has only met them once, leaving them in the care of a string of nannies in their creepy Victorian mansion imported from England by the children’s ancestor. As soon as Andie meets the housekeeper, Mrs. Crumb, with her “reptile smile,” she knows she’s in for a challenge. Blonde, waiflike Alice has a violent temper when crossed. Her older brother Carter barely speaks. Immediately, Andie begins to succeed with them where the nannies failed. But then there are ghosts that Andie and the kids see. Two came with the house a century ago and are clearly sinister. They killed Aunt May, whose spirit remains and chats up Andie about North, inadvertently reminding Andie how much she still loves him and not poor Will. Then North’s brother, Southie, arrives with his TV newswoman, who has sniffed out the ghost story and wants to conduct a séance. Actually she wants to expose North for mistreating his wards. Soon North, his mother, Andie’s mother, Andie’s purported fiancé, a medium and a professional ghost skeptic have assembled as storm clouds gather. Now throw a little Agatha Christie into the mix. Why Andie gets to see the ghosts is never clear; nor frankly, why North shouldn’t be charged with neglect.

A charmless romance, neither funny nor scary. 

Pub Date: Sept. 1, 2010

ISBN: 978-0-312-30378-5

Page Count: 352

Publisher: St. Martin's

Review Posted Online: June 4, 2010

Kirkus Reviews Issue: July 1, 2010

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ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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HIGH NOON

Nerve-wracking suspense leavened with romance and spiced with sex: another hit for the prolific Roberts (Blue Smoke, 2005,...

Murder mixes with anguish in steamy Savannah.

FBI-trained hostage negotiator Phoebe MacNamara is a lieutenant in the Savannah police department. Ever since Phoebe and her family were held hostage when she was 12, her mother has been agoraphobic, and Phoebe and her brother Carter still bear the psychological scars, but Phoebe’s used the memory to hone her skills. While talking a suicidal bartender off a ledge, she meets his boss, Duncan Swift. The charming millionaire coaxes her into meeting for a drink, and their relationship slowly deepens. But life takes a turn for the worse when a misogynist cop botches a hostage situation. Suspended, he blames Phoebe and retaliates by viciously attacking her in the precinct house stairwell. He loses his job, but his father’s connections keep him out of jail. Phoebe is physically and mentally injured, but her family and her blossoming relationship with Duncan help her cope until a dangerous pattern develops: A strange man keeps crossing her path. Dead animals begin appearing on her doorstep. A hostage taker is shot after she talks him into surrendering. Her ex-husband is brutally murdered by the mystery man, who phones her with sadistic threats. Is it the spiteful disgraced cop or someone from her past? Phoebe must identify the killer before he can carry out his final outrage.

Nerve-wracking suspense leavened with romance and spiced with sex: another hit for the prolific Roberts (Blue Smoke, 2005, etc.).

Pub Date: July 10, 2007

ISBN: 978-0-399-15434-8

Page Count: 480

Publisher: Putnam

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: May 1, 2007

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