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SHE’S NOT THERE

A LIFE IN TWO GENDERS

Serious, real, funny. Told so disarmingly that it’s strong enough to defang a taboo. (Photographs)

The limpid, soul-rich story of novelist James Boylan (Getting In, 1998, etc.) becoming Jennifer Boylan.

From early on, Boylan says, the idea “that I was in the wrong body, living the wrong life, was never out of my conscious mind—never.” In the beautifully guileless way he has of describing his feelings, he recounts wearing women’s clothes—“I’d stand around thinking, this is stupid, why am I doing this, and then I’d think, because I can’t not.” Because he has mercifully inherited the buoyant optimism of his mother, an optimism that will serve him well over the years to come, he is able to recount, with comic aplomb, such tidbits as, “Earlier in the evening I’d sat on a chair in that room wearing a bra and reading Lord of the Rings.” He was 16. He figured if he had sex, then his sense of himself might change, or if he fell in love, maybe then. Well, he does fall in love, with the remarkable Grace, and they have children, and he gets tenure and high marks from his students at Colby, and develops a close friendship with novelist Richard Russo, also teaching at Colby. And he still wants to be a woman. In writing as sheer as stockings, artful without artifice, he explains the process of becoming Jennifer: both the physiological, which has a comfortable tactility, and the emotional repercussions among his nearest and dearest. These aren’t so easy—his wife’s saying, “I want what I had”; his children thinking of him, in the midst of hormonal makeover, as “boygirl”; Russo telling him that Jennifer “seems mannered, studied, implausible.” Yet they all manage the sticky web of circumstance—this mysterious condition—in their own fashion, and that makes them lovable. There’s a particularly poignant moment, when they’re attending a wedding and Grace turns to Jennifer, asking if she wants to dance.

Serious, real, funny. Told so disarmingly that it’s strong enough to defang a taboo. (Photographs)

Pub Date: Aug. 1, 2003

ISBN: 0-7679-1404-X

Page Count: 272

Publisher: Broadway

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: June 1, 2003

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A TALE OF LOVE AND DARKNESS

A boon for admirers of Oz’s work and contemporary Israeli literature in general.

A moving, emotionally charged memoir of the renowned author’s youth in a newly created Israel.

“Almost everyone in Jerusalem in those days,” writes novelist Oz (The Same Sea, 2001, etc.) of the 1940s, “was either a poet or a writer or a researcher or a thinker or a scholar or a world reformer.” Oz’s uncle Joseph Klausner, for instance, kept a 25,000-volume library in every conceivable language, its dusty volumes providing a madeleine for the young writer, “the smell of a silent, secluded life devoted to scholarship,” even as his grandmother contemplated the dusty air of the Levant and concluded that the region was full of germs, whence “a thick cloud of disinfecting spirit, soaps, creams, sprays, baits, insecticides, and powder always hung in the air.” His own father had to sell his beloved books in order to buy food when money was short, though he often returned with more books. (“My mother forgave him, and so did I, because I hardly ever felt like eating anything except sweetcorn and icecream.”) Out in the street, Oz meets a young Palestinian woman who is determined to write great poems in French and English; cats bear such names as Schopenhauer and Chopin; the walls of the city ring with music and learned debate. But then there is the dark side: the war of 1948, with its Arab Legion snipers and stray shells, its heaps of dead new emigrants fresh from the Holocaust. “In Nehemiah Street,” writes Oz, “once there was a bookbinder who had a nervous breakdown, and he went out on his balcony and screamed, Jews, help, hurry, soon they’ll burn us all.” In this heady, dangerous atmosphere, torn by sectarian politics and the constant threat of terror, Oz comes of age, blossoming as a man of letters even as the bookish people of his youth begin to disappear one by one.

A boon for admirers of Oz’s work and contemporary Israeli literature in general.

Pub Date: Nov. 15, 2004

ISBN: 0-15-100878-7

Page Count: 544

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2004

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GIRL, INTERRUPTED

When Kaysen was 18, in 1967, she was admitted to McLean Psychiatric Hospital outside Boston, where she would spend the next 18 months. Now, 25 years and two novels (Far Afield, 1990; Asa, As I Knew Him, 1987) later, she has come to terms with the experience- -as detailed in this searing account. First there was the suicide attempt, a halfhearted one because Kaysen made a phone call before popping the 50 aspirin, leaving enough time to pump out her stomach. The next year it was McLean, which she entered after one session with a bullying doctor, a total stranger. Still, she signed herself in: ``Reality was getting too dense...all my integrity seemed to lie in saying No.'' In the series of snapshots that follows, Kaysen writes as lucidly about the dark jumble inside her head as she does about the hospital routines, the staff, the patients. Her stay didn't coincide with those of various celebrities (Ray Charles, Sylvia Plath, Robert Lowell), but we are not likely to forget Susan, ``thin and yellow,'' who wrapped everything in sight in toilet paper, or Daisy, whose passions were laxatives and chicken. The staff is equally memorable: ``Our keepers. As for finders—well, we had to be our own finders.'' There was no way the therapists—those dispensers of dope (Thorazine, Stelazine, Mellaril, Librium, Valium)—might improve the patients' conditions: Recovery was in the lap of the gods (``I got better and Daisy didn't and I can't explain why''). When, all these years later, Kaysen reads her diagnosis (``Borderline Personality''), it means nothing when set alongside her descriptions of the ``parallel universe'' of the insane. It's an easy universe to enter, she assures us. We believe her. Every word counts in this brave, funny, moving reconstruction. For Kaysen, writing well has been the best revenge.

Pub Date: June 1, 1993

ISBN: 0-679-42366-4

Page Count: 176

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1993

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