After the lovely opening, filled with genuine insight and touching lyricism, Haigh overly orchestrates her characters’ lives.

THE CONDITION

PEN/Hemingway Award winner Haigh’s third novel (Baker Towers, 2005, etc.) focuses on the now disconnected members of a once close-knit New England family.

The summer of 1976 is the last Paulette and Frank McKotch and their three children will spend together as a family at her parents’ Cape Cod cottage before the house is sold and Frank and Paulette are divorced. Cold but needy Paulette, who dropped out of Wellesley to marry, and warm but self-centered Frank, a scientist and professor at MIT, are sexually incompatible—he wants more and she wants less. Their already shaky marriage falls apart when their 13-year-old daughter Gwen is diagnosed with a chromosome deficiency that keeps her from developing physically in puberty; Frank wants to pursue medical solutions while Paulette wants to protect Gwen from pain. Cut ahead 20 years to the mid-’90s. Frank and Paulette have never remarried. Both are painfully lonely. Bill, their oldest son, has become a cardiologist in Manhattan. He is in a genuinely loving relationship with another man, but he keeps his sexuality a secret from his parents, and completely avoids Frank, who always favored him. Youngest son Scott, the family black sheep, has fallen into marriage with a woman whose coarseness is portrayed almost as a moral deficiency. At 30, teaching at a mediocre private school, he barely supports her and their two children. Although he lives in nearby Connecticut, he too rarely sees his parents or siblings. At 34, Gwen still has a child’s body. She lives a lonely life working in a museum. On a vacation in the Caribbean, Gwen falls in love with her guide. Paulette, a conventional snob and overly protective mother, sends Scott to find Gwen, setting in motion a chain of reactions that ultimately force each of the McKotches to reexamine their relationships with each other and with themselves.

After the lovely opening, filled with genuine insight and touching lyricism, Haigh overly orchestrates her characters’ lives.

Pub Date: June 1, 2008

ISBN: 978-0-06-075578-2

Page Count: 384

Publisher: Harper/HarperCollins

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 15, 2008

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Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable...

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MAYBE SOMEDAY

Sydney and Ridge make beautiful music together in a love triangle written by Hoover (Losing Hope, 2013, etc.), with a link to a digital soundtrack by American Idol contestant Griffin Peterson. 

Hoover is a master at writing scenes from dual perspectives. While music student Sydney is watching her neighbor Ridge play guitar on his balcony across the courtyard, Ridge is watching Sydney’s boyfriend, Hunter, secretly make out with her best friend on her balcony. The two begin a songwriting partnership that grows into something more once Sydney dumps Hunter and decides to crash with Ridge and his two roommates while she gets back on her feet. She finds out after the fact that Ridge already has a long-distance girlfriend, Maggie—and that he's deaf. Ridge’s deafness doesn’t impede their relationship or their music. In fact, it creates opportunities for sexy nonverbal communication and witty text messages: Ridge tenderly washes off a message he wrote on Sydney’s hand in ink, and when Sydney adds a few too many e’s to the word “squee” in her text, Ridge replies, “If those letters really make up a sound, I am so, so glad I can’t hear it.” While they fight their mutual attraction, their hope that “maybe someday” they can be together playfully comes out in their music. Peterson’s eight original songs flesh out Sydney’s lyrics with a good mix of moody musical styles: “Living a Lie” has the drama of a Coldplay piano ballad, while the chorus of “Maybe Someday” marches to the rhythm of the Lumineers. But Ridge’s lingering feelings for Maggie cause heartache for all three of them. Independent Maggie never complains about Ridge’s friendship with Sydney, and it's hard to even want Ridge to leave Maggie when she reveals her devastating secret. But Ridge can’t hide his feelings for Sydney long—and they face their dilemma with refreshing emotional honesty. 

Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable characters and just the right amount of sexual tension.

Pub Date: March 18, 2014

ISBN: 978-1-4767-5316-4

Page Count: 384

Publisher: Atria

Review Posted Online: May 7, 2014

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Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.

ALL YOUR PERFECTS

Named for an imperfectly worded fortune cookie, Hoover's (It Ends with Us, 2016, etc.) latest compares a woman’s relationship with her husband before and after she finds out she’s infertile.

Quinn meets her future husband, Graham, in front of her soon-to-be-ex-fiance’s apartment, where Graham is about to confront him for having an affair with his girlfriend. A few years later, they are happily married but struggling to conceive. The “then and now” format—with alternating chapters moving back and forth in time—allows a hopeful romance to blossom within a dark but relatable dilemma. Back then, Quinn’s bad breakup leads her to the love of her life. In the now, she’s exhausted a laundry list of fertility options, from IVF treatments to adoption, and the silver lining is harder to find. Quinn’s bad relationship with her wealthy mother also prevents her from asking for more money to throw at the problem. But just when Quinn’s narrative starts to sound like she’s writing a long Facebook rant about her struggles, she reveals the larger issue: Ever since she and Graham have been trying to have a baby, intimacy has become a chore, and she doesn’t know how to tell him. Instead, she hopes the contents of a mystery box she’s kept since their wedding day will help her decide their fate. With a few well-timed silences, Hoover turns the fairly common problem of infertility into the more universal problem of poor communication. Graham and Quinn may or may not become parents, but if they don’t talk about their feelings, they won’t remain a couple, either.

Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.

Pub Date: July 17, 2018

ISBN: 978-1-5011-7159-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 1, 2018

Kirkus Reviews Issue: May 15, 2018

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