The novel succeeds as both a disquieting tale of ordinary horror and a portrait of a marriage at a tipping point.
Over 24 increasingly suspenseful hours, a family’s suburban life unravels.
A tense domestic drama, Kitses’ first novel alternates between the points of view of a husband and wife torn apart by what they don’t tell each other. Tom and Helen have moved from Queens to a small town 90 minutes up the Hudson River with their twin 3-year-old daughters, but their life isn’t as bucolic as they had hoped it would be. Though they’re both working hard—Tom at a news wire service and Helen as a freelance graphic designer—they’re having trouble making ends meet, and the town for which they had high hopes turns out to have a seamy underside. As the day goes on, full of frictions major and minor, both husband and wife come close to reaching the breaking point. Tom finds himself in a confrontation with an old lover with whom he has a complicated relationship, while Helen, already simmering with anger, finds herself taking out her feelings on a pair of teenagers she meets in a park, with unfortunate results. Leavened with occasional humor, particularly directed toward the wire service, the novel gradually and inexorably ratchets up its suspense, with each tiny choice that one of the characters makes spiraling out into a path of destructive behavior. Even as the consequences of these choices grow more severe, Kitses keeps them believable so that the reader’s increasing dread can’t be easily dismissed. The author anchors the family’s story in a larger contemporary social reality, in which the actions of the couple are shaped not just by their emotions, but by the “blighted, postindustrial” town where the value of their house is constantly declining, the fact that both Helen and Tom have been edged out of steady jobs into marginal work, and the lack of affordable child care.
The novel succeeds as both a disquieting tale of ordinary horror and a portrait of a marriage at a tipping point.Pub Date: June 13, 2017
ISBN: 978-1-4555-9852-6
Page Count: 288
Publisher: Grand Central Publishing
Review Posted Online: March 20, 2017
Kirkus Reviews Issue: April 1, 2017
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A tour de force.
In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.
After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.
A tour de force.Pub Date: Feb. 6, 2018
ISBN: 978-0-312-57723-0
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Oct. 30, 2017
Kirkus Reviews Issue: Nov. 15, 2017
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