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THE BOY WHO LOVED TOO MUCH

A TRUE STORY OF PATHOLOGICAL FRIENDLINESS

A well-researched, perceptive exploration of a rare genetic disorder seen through the eyes of a mother and son.

A personal look at Williams syndrome, “a genetic fluke that strip[s] one in every 10,000 people of the inherent wariness, skepticism, and inhibition that [are] hardwired into the rest of us.”

In her debut, former Houston Chronicle reporter Latson combines the moving story of Gayle and her son Eli, a child with Williams, with scientific data on this rare genetic disorder. Characterized by an elfish appearance, sleeplessness, heart murmurs, sensitivity to sound, and cognitive and developmental difficulties, the biggest issue with Williams syndrome is that people who have it are overly friendly, too trusting, and unconditionally loving toward everyone, including strangers. For Gayle, this meant she was not able to let Eli out of her sight, for she never knew when he would head toward someone with open arms, wanting a hug or wanting to give a hug. Approximately 30,000 Americans have Williams syndrome, making it less common than Down syndrome or autism, but its effects on the parents and children are no less profound and life-changing. Latson shares Gayle’s story from the moments of Eli’s diagnosis and into his teen years. As a single mother, she struggles with raising Eli, trying to navigate the health care system, work, and finding places where Eli can be himself without causing disruptions. Attending a special camp helped Eli make new friends, but Gayle was unable to relax and enjoy herself. When Eli entered puberty, Gayle faced further obstacles, as Eli openly experienced sexual desire but was not fully aware of what that meant physically. Latson tells the story with great sympathy and eloquence, giving voice to the frustration, anguish, and despair a parent feels when their child struggles with a rare disorder.

A well-researched, perceptive exploration of a rare genetic disorder seen through the eyes of a mother and son.

Pub Date: June 20, 2017

ISBN: 978-1-4767-7404-6

Page Count: 304

Publisher: Simon & Schuster

Review Posted Online: April 16, 2017

Kirkus Reviews Issue: May 1, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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