A perfectly pitched tale of survival and the courage to move on.

STILL WATERS

In this sequel to the acclaimed Blackbird (2000), Lauck continues her disquieting, provocative memoir of a struggle to survive family treachery, abuse, and tragedy.

She picks up her story in 1975, when 11-year-old Jennifer and older brother Bryan are rescued by relatives from their cruel and capricious stepmother, Deb. Jennifer is sent to live with their dead father’s younger sister Peggy and her husband Dick in Black Sparks, Nevada. Aunt Peggy is a tightly wound woman subject to bursts of searing anger; Uncle Dick is a mean-spirited bully. Bryan, who has been taken in by Uncle Leonard and his wife Sylvia, an equally loathsome couple, now lives with them in Oklahoma. Jennifer tries to adjust to her new situation, as she helps out with baby Kimmy and does chores, but finds life little easier with Peggy and Dick than it was with Deb. The family moves to Washington State, where adolescent Jennifer finds her social life frequently limited by rigid strictures on socializing and by excessive work demands. She must call Dick Dad, and Peggy Mom, because they have officially adopted her. At the court hearing they promised to save Jennifer’s Social Security benefits so she could go to college, but when she graduates from high school, she learns they haven’t. She works two jobs while attending the local community college and moves out as soon as she can. But, despite her growing independence, a brief marriage, and a successful career as a journalist, she continues to be distressed by her troubled relationship with Bryan, who once claimed she made sexual advances to him. He enters a seminary, drops out, enrolls in college and then in 1984 commits suicide. By 2000, though happily remarried, Lauck decides to learn why Bryan killed himself, and in the search finds answers that explain and comfort.

A perfectly pitched tale of survival and the courage to move on.

Pub Date: Oct. 9, 2001

ISBN: 0-7434-3965-1

Page Count: 320

Publisher: Pocket

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Aug. 15, 2001

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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