Roberson, author of 15 previous novels, re-creates the first flush of romance between young Maid Marian and the man who will be Robin Hood in this prequel to the more familiar ``merry men'' legends—an often tiresome mixture of political chicanery and courtly passion that pales in comparison to those rollicking legends to come. Recently orphaned by her father's death in the Crusades, Marian of Ravenskeep finds she is one of many women attending the celebration given by the Earl of Huntington to honor his son and heir, Robert of Locksley, who has recently returned from that same battlefield. While the other maidens hope to attract the eye of the Earl's well-born son, Marian prays only that Robert might supply her with the details of her father's last days. Marian remembers Robert as a reclusive, somber boy, but she now finds him a ravaged victim of battle fatigue, robbed of peace by nightmares and violent visions. Despite these distractions, the pair fall in love on sight—but before they can ride off into the sunset, they must outmaneuver the likes of King Richard's younger brother, Prince John, who will abuse anyone in England for a chance at the throne; the Earl of Huntington, who wants Robert to wed the prince's daughter; the Sheriff of Nottingham, who intends to marry Marian himself and wed his own daughter to Robert; and many another blackguard who slinks in and about Sherwood Forest. While Roberson expertly evokes the sensations and frustrations of medieval life and succeeds in creating what she calls a ``logical underpinning'' to the Robin Hood legends, her tedious detailing of the paths by which Robert, Marian, Little John, Friar Tuck, and several others make their way to that hideout in the woods serves mainly to detract from the myths' innate drama. The minstrels were right—Robin's altruistic thievery remains the real story here.
Pub Date: Sept. 1, 1992
ISBN: 0-8217-3919-0
Page Count: 608
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1992
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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