An interesting book that turns a lot of established tropes and gender norms on their sides.
Ford Kendrick and Jamie Keller broke up because of clashing family problems—Jamie's drove her away from their hometown even as Ford's kept him rooted there. They each left the relationship broken by the difficult choices they were forced to make.
Ford stayed home to care for his grandfather and his family's ranch. He saw his brothers finish school, fall in love, and start families of their own. He spent the money he'd saved to move away with Jamie on his grandfather's medical bills, relieved to have the old man in good health again. Jamie left her abusive mother's house to join the military after her plan to buy a little place with Ford fell through. Eleven years later, Jamie returns home after being shot in Afghanistan with a serious case of post-traumatic stress disorder and no real idea of what to do with her life. Enter Ford, who seems to be everywhere Jamie needs him to be: separating her from a fight with her brother, taking care of her (and himself after she shoots him during a flashback) while she's blackout drunk, and generally nursing her back to health. Unfortunately, Tobin, a member of her company from when she was in the Army, won't let her try to get on with her life. She can't remember the face of the man who attacked her squad despite therapy and meds, and Tobin insists that she doesn't need to. He'd prefer that she move on to a life with him, since he can best understand her trauma. Add that to the jealousy Ford feels, and it creates a tense love triangle, but while Jamie's PTSD is an integral part of her character development, Tobin's contributes to his general villainy, which seems counterintuitive.
An interesting book that turns a lot of established tropes and gender norms on their sides.Pub Date: Feb. 21, 2017
ISBN: 978-0-06-243540-8
Page Count: 416
Publisher: Avon/HarperCollins
Review Posted Online: Jan. 22, 2017
Kirkus Reviews Issue: Feb. 1, 2017
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...
True love flares between two people, but they find that circumstances always impede it.
On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.Pub Date: Oct. 16, 2018
ISBN: 978-0-525-57468-2
Page Count: 400
Publisher: Crown
Review Posted Online: July 30, 2018
Kirkus Reviews Issue: Aug. 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
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