The first Millie Was Here app (Millie and the Lost Key, 2011) was a giddy mix of plain dog photos, overlaid graphics and...
Canine explorer Millie here builds a time machine to avoid running late with a friend’s birthday gift, but she soon finds herself chased by a baby T-Rex.
The first Millie Was Here app (Millie and the Lost Key, 2011) was a giddy mix of plain dog photos, overlaid graphics and hyperbolic storytelling that made the everyday life of a dog-about-town seem epic. That aesthetic continues here, but it’s been refined. There are still levers, dials, ribbons and springs that beg to be played with on well-built pages. But the story elements themselves have evolved nicely, especially a “Story Switch” feature that adds a reader-selected fork in the road leading to games that are part of Millie’s adventure. The navigation tray that slides up from the bottom of the screen is unobtrusive but genuinely handy. Other extras include a “Bedtime Mode” (which dims the screen and tones down the games) and clear instructions for parents, two app essentials that should be standard across the board. At the end of her first Indiana Jones–inspired adventure, it wasn’t clear whether her appeal would wear thin, but this latest story shows she’s still a great canine companion. Even the short video clips of Millie do not diminish the series’ homespun, handcrafted feel or lessen its playful touch. Millie’s misadventures could continue indefinitely if the exuberant storytelling and attention to detail hold to this level of quality. She’s a good dog with a great set of apps. (iPad storybook app. 4-8) .Pub Date: Sept. 12, 2013
ISBN: N/A
Page Count: -
Publisher: MegaPops
Review Posted Online: Nov. 1, 2013
Kirkus Reviews Issue: Nov. 15, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Continuing to find inspiration in the work of Virginia Lee Burton, Munro Leaf and other illustrators of the past, Long (The Little Engine That Could, 2005) offers an aw-shucks friendship tale that features a small but hardworking tractor (“putt puff puttedy chuff”) with a Little Toot–style face and a big-eared young descendant of Ferdinand the bull who gets stuck in deep, gooey mud. After the big new yellow tractor, crowds of overalls-clad locals and a red fire engine all fail to pull her out, the little tractor (who had been left behind the barn to rust after the arrival of the new tractor) comes putt-puff-puttedy-chuff-ing down the hill to entice his terrified bovine buddy successfully back to dry ground. Short on internal logic but long on creamy scenes of calf and tractor either gamboling energetically with a gaggle of McCloskey-like geese through neutral-toned fields or resting peacefully in the shade of a gnarled tree (apple, not cork), the episode will certainly draw nostalgic adults. Considering the author’s track record and influences, it may find a welcome from younger audiences too. (Picture book. 5-8)
Pub Date: Sept. 1, 2009
ISBN: 978-0-399-25248-8
Page Count: 40
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2009
SEEN & HEARD
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
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