Though it feels a bit like the literary equivalent of an after-school special for adults, Weiner does a good job of...
A 39-year-old suburban mom turns to prescription painkillers to manage the compounding stresses of her downwardly mobile existence, her troubled marriage, her difficult 5-year-old daughter and her father’s descent into Alzheimer’s-related dementia.
Allison Weiss is a blogger at a Jezebel-like site called Ladiesroom.com and is largely responsible for supporting her family as her reporter husband’s salary shrinks in the wake of the implosion of the newspaper industry. Certain aspects of Allison’s writing career mirror facets of Weiner’s (The Next Best Thing, 2012, etc.) own public battles against sexism in the media and publishing industries. Allison wonders whether or not to use the term “strident” to describe another woman, and after her picture appears in a Wall Street Journal article, the comments sections is barraged by disparaging remarks about her weight and appearance. Unhappy in the large house in an upscale Philadelphia suburb chosen by her husband, Allison develops a pill problem, starting with pain meds prescribed for a bad back. Before she knows it, she's juggling several doctors to feed her habit, requiring larger and larger doses, and eventually turning to an illegal website to place her orders. Weiner manages to postpone the inevitable train wreck for a few hundred pages, as Allison dismisses and denies her addiction, comparing herself favorably to stereotypical junkies, whose lives are so different from her upscale Whole Foods and private-school existence that she can pretend there is no connection. Weiner relies on brand names as class signifiers; the other moms at her daughter’s school wear Lululemon workout clothes, Seven for All Mankind jeans, and carry Petunia Pickle Bottom diaper bags. Even after entering rehab, Allison’s denial of her problem and inability to identify with lower-class addicts from broken homes carries on for another hundred pages or so before the inevitable revelations set in.
Though it feels a bit like the literary equivalent of an after-school special for adults, Weiner does a good job of describing the mindset of the addict and provides a realistic portrayal of upper-middle-class addiction in a novel that will appeal to her many fans.Pub Date: June 17, 2014
ISBN: 978-1-4516-1778-8
Page Count: 416
Publisher: Atria
Review Posted Online: March 28, 2014
Kirkus Reviews Issue: April 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PROFILES
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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