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BETWIXT-AND-BETWEEN

ESSAYS ON THE WRITING LIFE

Graceful meditations on love, loneliness, and the magic of words.

A poet and essayist likens writing to witchcraft, love, and “the craft of getting someone to love me.”

As a teacher, Boully (Creative Writing and Literature/Columbia Coll. Chicago; of the mismatched teacups, of the single-serving spoon: a book of failures, 2012, etc.) was visited by a textbook representative who offered her many books to help teach her students the craft of poetry or nonfiction writing. Horrified, she recalled the exercises she had encountered as an undergraduate, which resembled “therapy: confronting an experience with the goal of moving beyond it to free oneself from buried trauma.” For Boully, the process is far different, rooted in a philosophical journey for meaning, sincerity, and, not least, love. “I expect my students to essay fiercely and obsessively,” she writes. In her own work, an essay “may begin with a suspicion. I follow that suspicion until it gives me something I might have been searching for.” The pieces in this captivating collection—versions of which were previously published in literary journals—reflect Boully’s discomfort with genre: some are prose poems, some collages of fragments, bits of “veiled memoir,” and evocative digressions. “It seems to me,” she writes ruefully, “that the inability to accept a mixed piece of writing is akin to literary discrimination.” The author’s prose is reminiscent of Lydia Davis’—spare, elliptical, unexpected—and sometimes, in her rhythmic cadences, of Gertrude Stein’s. In the literary world, Boully confesses, her genre-bending often causes consternation. “I may look like an essay, but I don’t act like one,” she writes. “I may look like prose, but I don’t speak like it.” She may look like a poet, too, or a fiction writer: “The need to write fictions,” she offers, “arises from the desire to say one thing and mean another.

Graceful meditations on love, loneliness, and the magic of words.

Pub Date: April 3, 2018

ISBN: 978-1-56689-510-1

Page Count: 140

Publisher: Coffee House

Review Posted Online: Jan. 21, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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BORN SURVIVORS

THREE YOUNG MOTHERS AND THEIR EXTRAORDINARY STORY OF COURAGE, DEFIANCE, AND HOPE

An engrossing, intense, and highly descriptive narrative chronicling the ghastly conditions three pregnant women suffered...

The incredible true story of three Jewish women who survived the Holocaust.

Priska, Rachel, and Anka were married Jewish women in their early 20s when the Nazis took control of Europe. Like millions of other Jews, they were forced to give up their normal lives, all of their belongings, and their homes. Shuttled into ghettos and then off to one of the most notorious camps, Auschwitz II-Birkenau, they suffered through the Nazis’ increasing atrocities. But these three women all held a secret: they were pregnant. They were moved from Auschwitz and ended up in Mauthausen, another notorious death camp. With facing the most horrible conditions imaginable, all three gave birth right before the Allies accepted Germany’s surrender. In this meticulously detailed account, Holden (Haatchi & Little B: The Inspiring True Story of One Boy and His Dog, 2014, etc.) compiles an enormous amount of information from interviews, letters, historical records, and personal visits to the sites where this story unfolded. The graphic history places readers in the moment and provides a sense of the enduring power of love that Priska, Rachel, and Anka had for their unborn children and for the husbands they so desperately hoped to see after the war. Even though it occurred more than 70 years ago, the story’s truth is so chillingly portrayed that it seems as if it could have happened recently. These three women and their infants survived in the face of death, and, Holden writes, “their babies went on to have babies of their own and create a second and then a third generation, all of whom continue to live their lives in defiance of Hitler’s plan to erase them from history and from memory.”

An engrossing, intense, and highly descriptive narrative chronicling the ghastly conditions three pregnant women suffered through at the hands of the Nazis.

Pub Date: May 5, 2015

ISBN: 978-0-06-237025-9

Page Count: 400

Publisher: Harper/HarperCollins

Review Posted Online: March 28, 2015

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