A suspenseful cautionary tale: Don’t play games with strangers.
Role-playing games take over New York City’s Morningside Park with calamitous consequences in Davidson’s (Invisible Things, 2010, etc.) latest novel.
Lucy, a poet and MFA graduate student, shares an apartment with Ruth, a postdoc in game theory and design. Their Swedish neighbor, Anna, has garnered a Fulbright scholarship to study the urban culture of outdoor gaming. Yet each woman harbors a secret weakness. Lucy’s tenuous, almost ghostly connection to life and Ruth’s eating disorder, however, pale in comparison to Anna’s past as a neglected child consigned to a psychiatric hospital. Both Lucy and Anna assist Ruth in constructing her latest game, Trapped in the Asylum, which uses contemporary technologies (GPS, smartphones) to recreate an 1890s community for the insane. Anna is soon inspired to develop her own, darker game that imagines evil forces impinging on the city itself. Players must—weirdly and erotically—reinforce the magical protective wards first set into the gardens and buildings designed by Olmstead and architectural giants McKim, Mead and White. The arrival of Anna’s charismatic brother, Anders, catalyzes a dangerous game, indeed. Based upon The Bacchae—Euripides’ unsettling dramatization of the tensions between the rational and the irrational, between reason and passion—this game employs live-action role playing. Casting Ruth as the logical Pentheus, Anna as the irrational Dionysus, the game is replete with maenads and enforcers recruited and mobilized via Gchats, text messages and blog posts. As the players take their roles more and more seriously, the game becomes disturbingly unpredictable. Despite some stilted dialogue, Davidson deftly orchestrates a startling collision between the classical and the contemporary, reality and play.
A suspenseful cautionary tale: Don’t play games with strangers.Pub Date: March 26, 2013
ISBN: 978-0-544-02809-8
Page Count: 208
Publisher: Amazon/New Harvest
Review Posted Online: Feb. 9, 2013
Kirkus Reviews Issue: March 1, 2013
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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