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ANNA K

A LOVE STORY

Stick with this modernization of Anna Karenina; it pays out in the end.

A slow-burn epic tale of love in modern-day Manhattan high society.

Anna K, a 17-year-old from a wealthy family, falls for the handsome Alexia "Count" Vronsky and strives to stay loyal to her Greenwich, Connecticut, OG boyfriend of three years. Her partying brother, Steven, rebels against their father’s strict, traditional views while his friend Dustin excels in school but is new to affairs of the heart. Kimmie, Steven's girlfriend's sister, tries to be a regular teen after training as an Olympic ice dancing hopeful and also struggles with inexperience in love. These are just the major characters in a cast filled with convoluted relationships. Taking place over the course of a school year, the characters move from party to nightclub, heart-to-heart to Coachella, with their ever changing relationships as the central focus. The distant writing style and pervasive dropping of brand names slow the narrative and weaken its analyses of love, racism, social standing and wealth, sexism, addiction, and mental health. Despite getting off to a slow start, this is a gripping story with sympathetic characters struggling through the mire of modern relationships. The ending, while slightly predictable, comes to a satisfying conclusion. Anna and Steven are Korean and white; Dustin is black, adopted into a white Jewish family; other main characters are white. References to Anna's "exotic" beauty are not contextualized.

Stick with this modernization of Anna Karenina; it pays out in the end. (cast of characters, author’s note) (Fiction. 15-18)

Pub Date: March 3, 2020

ISBN: 978-1-250-23643-2

Page Count: 400

Publisher: Flatiron Books

Review Posted Online: Dec. 7, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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THE STARS WE STEAL

A thrilling romance that could use more even pacing.

For the second time in her life, Leo must choose between her family and true love.

Nineteen-year-old Princess Leonie Kolburg’s royal family is bankrupt. In order to salvage the fortune they accrued before humans fled the frozen Earth 170 years ago, Leonie’s father is forcing her to participate in the Valg Season, an elaborate set of matchmaking events held to facilitate the marriages of rich and royal teens. Leo grudgingly joins in even though she has other ideas: She’s invented a water filtration system that, if patented, could provide a steady income—that is if Leo’s calculating Aunt Freja, the Captain of the ship hosting the festivities, stops blocking her at every turn. Just as Leo is about to give up hope, her long-lost love, Elliot, suddenly appears onboard three years after Leo’s family forced her to break off their engagement. Donne (Brightly Burning, 2018) returns to space, this time examining the fascinatingly twisted world of the rich and famous. Leo and her peers are nuanced, deeply felt, and diverse in terms of sexuality but not race, which may be a function of the realities of wealth and power. The plot is fast paced although somewhat uneven: Most of the action resolves in the last quarter of the book, which makes the resolutions to drawn-out conflicts feel rushed.

A thrilling romance that could use more even pacing. (Science fiction. 16-adult)

Pub Date: Feb. 4, 2020

ISBN: 978-1-328-94894-6

Page Count: 400

Publisher: HMH Books

Review Posted Online: Nov. 9, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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THE DA VINCI CODE

Bulky, balky, talky.

In an updated quest for the Holy Grail, the narrative pace remains stuck in slo-mo.

But is the Grail, in fact, holy? Turns out that’s a matter of perspective. If you’re a member of that most secret of clandestine societies, the Priory of Sion, you think yes. But if your heart belongs to the Roman Catholic Church, the Grail is more than just unholy, it’s downright subversive and terrifying. At least, so the story goes in this latest of Brown’s exhaustively researched, underimagined treatise-thrillers (Deception Point, 2001, etc.). When Harvard professor of symbology Robert Langdon—in Paris to deliver a lecture—has his sleep interrupted at two a.m., it’s to discover that the police suspect he’s a murderer, the victim none other than Jacques Saumière, esteemed curator of the Louvre. The evidence against Langdon could hardly be sketchier, but the cops feel huge pressure to make an arrest. And besides, they don’t particularly like Americans. Aided by the murdered man’s granddaughter, Langdon flees the flics to trudge the Grail-path along with pretty, persuasive Sophie, who’s driven by her own need to find answers. The game now afoot amounts to a scavenger hunt for the scholarly, clues supplied by the late curator, whose intent was to enlighten Sophie and bedevil her enemies. It’s not all that easy to identify these enemies. Are they emissaries from the Vatican, bent on foiling the Grail-seekers? From Opus Dei, the wayward, deeply conservative Catholic offshoot bent on foiling everybody? Or any one of a number of freelancers bent on a multifaceted array of private agendas? For that matter, what exactly is the Priory of Sion? What does it have to do with Leonardo? With Mary Magdalene? With (gulp) Walt Disney? By the time Sophie and Langdon reach home base, everything—well, at least more than enough—has been revealed.

Bulky, balky, talky.

Pub Date: March 18, 2003

ISBN: 0-385-50420-9

Page Count: 400

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 2003

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