A complex tale that adeptly balances history with personal drama.
A stirring political drama about upheaval in Burma and the emotional consequences wrought for generations.
Yasi has been publishing short stories for years, but this is her first book-length effort. The story begins in Cambridge, Massachusetts, in 1999 with a moment of acute emotional epiphany: Eleven-year-old Burmese-American Bobby finally discovers that the man who raised him is not his biological father. His real father, a pro-democracy poet, has been missing for years in war-torn Burma; he’s now presumed dead. Bobby’s mother, Gurney, a native Burmese photographer and activist, tearfully confesses his genuine patrimony, and she’s forced to confront a Pandora’s box of painful remembrances. The narrative quickly vacillates between Cambridge and a tumultuous Burma in 1988, deftly juxtaposing the nation’s frightening turmoil with the heart-wrenching agitation Bobby’s mother and her cadre of friends and family suffered. Complicating this visceral tinderbox is the possibility that Maung Naing, Bobby’s biological father and Gurney’s lover, may be alive somewhere and still working with forces opposing the military junta. While much of the work is propelled by dialogue, Yasi’s prose can sometimes strike elegiac notes: “They brought her something to eat, sometimes dried fish in the rice, but not lately. Gurney watched the guard’s face. It was in itself, a square, hungry face. It’s easier to look at a face, to forgive what you see, than to forgive broken ideas.” Dedicated to the Burmese people, the work is a ringing testament to the nation’s modern struggles, especially timely given its recent political transformation.
A complex tale that adeptly balances history with personal drama.Pub Date: June 3, 2010
ISBN: 978-1449567774
Page Count: 284
Publisher: CreateSpace
Review Posted Online: July 28, 2014
Kirkus Reviews Issue: Sept. 15, 2014
Review Program: Kirkus Indie
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...
Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).
All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."Pub Date: April 8, 1974
ISBN: 0385086954
Page Count: 216
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: April 1, 1974
PERSPECTIVES
SEEN & HEARD
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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