The key to the memoir’s cumulative power is Walker’s narrative command; the rite of passage is rockier than most, making the...
A memoir in which a young boy comes to terms with the religious cult that had given his family hope.
In this follow-up to the author’s Street Shadows: A Memoir of Race, Rebellion, and Redemption (2011), a debut that proved a breakthrough in terms of awards and recognition, the focus is tighter and the narrative challenge considerable, as Walker (Creative Writing/Emerson Coll.) assumes the perspective of the boy he was from ages 6 through 14, in a black family belonging to the overwhelmingly white (and segregationist) Worldwide Church of God. Its charismatic founder, Herbert W. Armstrong, had prophesied that only the anointed “chosen” would find redemption upon the Earth’s imminent destruction. Young “Jerry” would barely be 11 years old when this would happen, and he accepted the prophecy on faith, though the specifics of his religion confused his young mind. His alcoholic, epileptic father and his mother—both blind—had embraced the cult in part because they thought sight would be their reward. They also had some secrets in their pasts that their son would only learn later. As the predicted apocalypse of 1975 failed to happen and the boy matured and experienced more of the world, he lost faith in the church, as did other congregants and members of his family. He found himself torn between Armstrong’s vision of a better life to come and the streetwise testimony of Iceberg Slim and other hustlers. At a pivotal point, he writes, “my life isn’t becoming a real horror show, I’m thinking. It’s been one for a long time.” He asked his older brother, “How do you un-believe a belief?” and he learned “how the world is full of deception, how very few people can really be trusted, how it’s important that I learn to think and make decisions on my own.”
The key to the memoir’s cumulative power is Walker’s narrative command; the rite of passage is rockier than most, making the redemption well-earned.Pub Date: Sept. 6, 2016
ISBN: 978-0-8070-2750-9
Page Count: 208
Publisher: Beacon Press
Review Posted Online: June 7, 2016
Kirkus Reviews Issue: July 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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