Page shapes a fascinating historical narrative and has moving insights into our sometimes-dubious relationship to the...
Eliot Saxby, the collector of the title and narrator of the book, heads for the Arctic in search of the elusive—and perhaps extinct—great auk.
The year is 1845, and Saxby makes his treacherous voyage on behalf of some English gentlemen who have a bet about whether there are any great auks that remain alive. Capt. Sykes is at the helm of the Amethyst, and he heads a crew of hardy and hardened sailors. Incongruously, also on the journey is one Edward Bletchley, an English gentleman, along with his cousin (or perhaps “cousin”) Clara, an attractive young woman. Sykes has been paid to veer off his usual course to accommodate the ornithological pursuit of the naturalist Saxby. Although one mystery in the novel obviously involves the search for the last of the great auks, another involves Saxby’s certainty that, 10 years earlier, he had gotten to know Clara under a different name, “Celeste,” when he worked for her father, though Clara has no recollection of ever having met Saxby. They form a bond, and both become greatly excited when they discover a small colony of great auks on a remote island. Excitement turns to outrage, however, when Sykes announces that he plans to kill the last of the birds and thus guarantee their extinction, and their skins will therefore be immensely valuable to collectors and museums. Saxby watches helplessly while Sykes’ crew methodically kills the auks, but he’s able to conceal an injured auk on board. He and Clara carefully tend the auk, feeding it and nursing it. Miraculously, the auk even lays an egg, assuring the further existence of the species, but Sykes and his duplicitous first mate, Quinlan French, turn out to know more than Saxby suspects.
Page shapes a fascinating historical narrative and has moving insights into our sometimes-dubious relationship to the natural world.Pub Date: Dec. 15, 2013
ISBN: 978-1-60598-485-8
Page Count: 384
Publisher: Pegasus
Review Posted Online: Oct. 4, 2013
Kirkus Reviews Issue: Oct. 15, 2013
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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