In this impressive novel, Page is at home on the estuaries around the North Sea, on a journey across America and in the...
A lyrical and elegiac novel about a real past and an imagined future.
A family tragedy forces Guy, the main character, to relocate on an old Dutch ship, the Flood, a 90-foot coastal barge on which he lives. The tragedy occurs when Guy, his wife Judy and his young daughter Freya are picnicking in a field on a “perfect” day. Something freakish and unimaginable happens—a loose stallion wildly attacks them and tramples Freya. Three months after, after they come close to completing a double suicide out of despair, this incident leads to the breakup of Guy and Judy’s marriage. Guy spends the next five years of his life roaming about the North Sea area on the Flood. Each night he lovingly crafts a fantasy life in his diary, imagining himself into the life that might have been had Freya not died and his marriage not collapsed. Page (Salt, 2007) alternates his narrative between Guy’s dismal present—the cold, damp, windy and occasionally treacherous conditions of life on the sea—and the deeply personal imaginative projection of the life-that-might-have-been, including a trip across America and a Nashville recording session for Judy. His life on the ship is complicated when he meets Marta, an attractive woman with a gorgeous 22-year-old daughter, Rhona. Both women are attracted to Guy, but he finds himself in a curious chronological limbo, for he’s ten years younger than Marta and 15 years older than her daughter. Both relationships verge on the sexual but never quite get there. Meanwhile, in Guy’s diary all is not well, for Judy begins an affair with Phil, a musician who’d played in a folk band with both Guy and Judy—and it turns out that Guy’s imagined version of events mirrors what actually happens in his life.
In this impressive novel, Page is at home on the estuaries around the North Sea, on a journey across America and in the lonely spaces in family relationships.Pub Date: Dec. 6, 2010
ISBN: 978-0-670-02190-1
Page Count: 288
Publisher: Viking
Review Posted Online: Sept. 15, 2010
Kirkus Reviews Issue: Oct. 1, 2010
BOOK REVIEW
BOOK REVIEW
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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