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PAVIL'S MASK

A standout work that effortlessly blends SF and mystery elements with incredible art.

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In author/illustrator Perrodeau’s graphic novel, translated from the French, an outsider comes to a remote and insular village.

After Pavil’s plane crashes in a field near Lapyoza—a village of stilt houses surrounding a body of water—the inhabitants are initially suspicious of him. Because the ferry to the nearest city won’t arrive for weeks, a council meets to decide whether Pavil should be allowed to stay; they give him permission after they accept that he’s an ordinary citizen and not a spy sent from the Empire. But although he must participate in the village’s communal activities, he’s forbidden from their sacred rituals and sites—especially the island where Hodä, the village’s protective deity, is said to live. As the citizens of Lapyoza slowly accept Pavil, they reveal more secrets about the body of water, including the fact that below its surface lies a sunken city that’s far more technologically advanced than any modern civilization—and that Hodä was the cause of its destruction. After Pavil finds an ancient artifact that’s washed ashore, he meets a young woman named Yüni who agrees to take him on dives to visit the underwater ruins. When Pavil’s incessant curiosity eventually brings him to the island where Hodä lives, the truth is soon revealed about Pavil and Hodä alike. Perrodeau deftly avoids the impulse to explain too much about either the fantastic setting or the mystery at the heart of it; he always presents just enough information to compel readers to read further. He tells much of the story through wordless panels featuring Pavil exploring an island in secret or taking part in communal activities with other villagers. The art style is incredibly sparse, bordering on minimalist, using simple line drawings and plain washes of color from a limited palette—and it’s frankly incredible that Perrodeau infuses so much emotion and life into these deceptively simple-looking drawings.

A standout work that effortlessly blends SF and mystery elements with incredible art.

Pub Date: Aug. 26, 2025

ISBN: 9781990521416

Page Count: 160

Publisher: Black Panel Press

Review Posted Online: June 8, 2026

Kirkus Reviews Issue: today

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MACBETH

From the Wordplay Shakespeare series

Even so, this remains Macbeth, arguably the Bard of Avon’s most durable and multilayered tragedy, and overall, this enhanced...

A pairing of the text of the Scottish Play with a filmed performance, designed with the Shakespeare novice in mind.

The left side of the screen of this enhanced e-book contains a full version of Macbeth, while the right side includes a performance of the dialogue shown (approximately 20 lines’ worth per page). This granular focus allows newcomers to experience the nuances of the play, which is rich in irony, hidden intentions and sudden shifts in emotional temperature. The set and costuming are deliberately simple: The background is white, and Macbeth’s “armor” is a leather jacket. But nobody’s dumbing down their performances. Francesca Faridany is particularly good as a tightly coiled Lady Macbeth; Raphael Nash-Thompson gives his roles as the drunken porter and a witch a garrulousness that carries an entertainingly sinister edge. The presentation is not without its hiccups. Matching the video on the right with the text on the left means routinely cutting off dramatic moments; at one point, users have to swipe to see and read the second half of a scene’s closing couplet—presumably an easy fix. A “tap to translate” button on each page puts the text into plain English, but the pop-up text covers up Shakespeare’s original, denying any attempts at comparison; moreover, the translation mainly redefines more obscure words, suggesting that smaller pop-ups for individual terms might be more meaningful.

Even so, this remains Macbeth, arguably the Bard of Avon’s most durable and multilayered tragedy, and overall, this enhanced e-book makes the play appealing and graspable to students . (Enhanced e-book. 12 & up)

Pub Date: Sept. 9, 2013

ISBN: N/A

Page Count: -

Publisher: The New Book Press LLC

Review Posted Online: Nov. 6, 2013

Kirkus Reviews Issue: Dec. 1, 2013

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WE CALLED THEM GIANTS

Lush visuals bring this thoughtfully constructed tale to life.

Wondrous visitors encounter a desperate pocket of humanity.

Lori, a white orphaned teen who’s finally been adopted after bouncing around various foster homes, awakens to discover that nearly everyone has disappeared. The rapture? Maybe. She runs into her classmate Annette, who has brown skin and curly black hair, and they partner up to scavenge for food. The pair tries to evade several threats, such as the large Wolves and a gang called The Dogs. Supernatural Giants arrive, seemingly from space, speaking an impenetrable language of “musical chiming and weird bass-rhythms.” Lori and Annette then meet Beatrice, an older white woman who shares important observations about the Giants and Wolves. The tone of the story then subtly shifts from post-apocalyptic desperation to one that’s somewhat playful. After a certain point, a visual element that appears early on takes on clear significance and meaning in the context of the story at large, offering a subversively humorous twist for readers to consider and a creative element that deviates from other alien invasion narratives. Hans’ artwork and paneling fill each scene with wonders. An interaction with a giant sees the red, violet, and pink figure standing against a bright, otherworldly white-and-blue backdrop with dark contours. Elsewhere, Lori and Annette pause at night as they behold ominous shadows, their foggy breath forming clouds, and they hear a “KRRNCH” sound. The quick-moving plot wraps everything up neatly.

Lush visuals bring this thoughtfully constructed tale to life. (character designs) (Graphic science fiction. 14-adult)

Pub Date: Nov. 12, 2024

ISBN: 9781534387072

Page Count: 104

Publisher: Image Comics

Review Posted Online: Aug. 17, 2024

Kirkus Reviews Issue: Sept. 15, 2024

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