History, mythology, and mystery mix in a rollicking adventure that offers a fresh perspective on the famous Arthurian legend.

SWORD OF SHADOWS

In 1396, a famous tracker of men and objects leaves London for the wilds of Cornwall in search of a fabulous treasure.

Crispin Guest and his apprentice, Jack Tucker (Traitor’s Codex, 2019, etc.), meet by chance with Carantok Teague, a Cornishman who offers them a large sum to help him track down the mythical Excalibur. Although neither is convinced the sword exists, they leave immediately on the long trip to Treknow, the closest village to Tintagel. Since Crispin, a disgraced but honorable former knight, refuses to participate in illegal treasure hunting, it’s fortunate that Teague has an old letter from King Edward III allowing him to search for treasure. A group of traveling players they encounter includes Kat Pyke, a former lover, burglar, and swindler who’s bested Crispin in the past. Crispin also meets the scholarly Marzhin Gwyls, a caretaker at Tintagel Castle, a crumpled ruin guarded by a few men at arms and a constable. On their first visit, Teague moves the heavy stone over the hole where he stores some of his treasures only to find the body of a man at arms. The castle constable asks Crispin to find Roger Bennet’s killer. The castle is barely guarded, and Bennet had a reputation as a womanizer who had earned the enmity of many a maiden. While Crispin investigates the murder, Jack helps Teague search for the sword, and Kat, always interested in items of value, seduces Crispin, who should know better. Among the suspects are the villagers, Bennet’s fellows at Tintagel, and hostile pagans living nearby. Teague, it turns out, does indeed have a nose for treasure, and the search looks to be successful if they’re not all killed off by the mysterious person who’s killed another man at arms and left Kat to take the blame.

History, mythology, and mystery mix in a rollicking adventure that offers a fresh perspective on the famous Arthurian legend.

Pub Date: April 7, 2020

ISBN: 978-0-7278-8921-8

Page Count: 224

Publisher: Severn House

Review Posted Online: Jan. 13, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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Miller makes Homer pertinent to women facing 21st-century monsters.

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CIRCE

A retelling of ancient Greek lore gives exhilarating voice to a witch.

“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.

Miller makes Homer pertinent to women facing 21st-century monsters.

Pub Date: April 10, 2018

ISBN: 978-0-316-55634-7

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Jan. 23, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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Still, a respectful and absorbing page-turner.

THE NIGHTINGALE

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 20, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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