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THE HORROR WRITER

An imaginative, engaging story despite minor distractions.

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A thriller about an irascible horror author with an overactive imagination.

Thom Hearn is a writer who sees elements of horror everywhere and who sizes up everyone he meets as potential fodder for new characters. Carrie Alexander is a Type A personality in hedge fund management. They’re soon thrown together at a conference for big names in banking, business, and science, among many other fields, after both characters are almost killed in an airplane accident. But once they make it to the conference, even stranger things start to happen. The resort they’re staying at looks like a tropical paradise, but it feels somehow artificial to Thom; he also feels like he’s being watched. He quickly finds out that Carrie feels the same way, and so do others at the conference. Thom also develops a healthy mistrust of Hermod, the golden boy running the whole operation. Carroll’s (The Great Liars, 2014, etc.) novel offers a creative mashup of elements from Romancing the Stone, The Stepford Wives, and The Secret Life of Walter Mitty. He creates some fantastic oddities for his characters to navigate, including a public murder that no one seems to know anything about the next day; later, Thom even confronts one of his own fictional characters. It’s all very unsettling in a very pleasing way, and readers will find it hard to guess what’s coming next. Still, as entertaining as it all is, there are a few flaws. For example, Carroll opens with the thrilling action of the aforementioned airplane mishap, but then the narrative bounces back and forth, via flashbacks, to set up how Thom and Carrie each came to be on that plane, which muddies the waters for readers. Later, Thom thinks about his writing operation back home during jungle-survival scenes, and the transitions between the two are a bit rough.

An imaginative, engaging story despite minor distractions.

Pub Date: March 3, 2017

ISBN: 978-0-9898269-5-2

Page Count: 282

Publisher: CreateSpace

Review Posted Online: May 1, 2017

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THE GOD OF SMALL THINGS

In part a perfectly paced mystery story, in part an Indian Wuthering Heights: a gorgeous and seductive fever dream of a...

A brilliantly constructed first novel that untangles an intricate web of sexual and caste conflict in a vivid style reminiscent of Salman Rushdie's early work.

The major characters are Estha and Rahel, the fraternal twin son and daughter of a wealthy family living in the province of Kerala. The family's prosperity is derived from a pickle factory and rubber estate, and their prideful Anglophilia essentially estranges them from their country's drift toward Communism and their ``inferiors' '' hunger for independence and equality. The events of a crucial December day in 1969—including an accidental death that may have been no accident and the violent consequences that afflict an illicit couple who have broken "the Love Law''—are the moral and narrative center around which the episodes of the novel repeatedly circle. Shifting backward and forward in time with effortless grace, Roy fashions a compelling nexus of personalities that influence the twins' "eerie stealth'' and furtive interdependence. These include their beautiful and mysteriously remote mother Ammu; her battling "Mammachi'' (who runs the pickle factory) and "Pappachi'' (an insufficiently renowned entomologist); their Oxford-educated Marxist Uncle Chacko and their wily "grandaunt'' Baby Kochamma; and the volatile laborite "Untouchable'' Velutha, whose relationship with the twins' family will prove his undoing. Roy conveys their explosive commingling in a vigorous prose dominated by odd syntactical and verbal combinations and coinages (a bad dream experience during midday nap-time is an "aftermare'') reminiscent of Gerard Manly Hopkins's "sprung rhythm,'' incantatory repetitions, striking metaphors (Velutha is seen ``standing in the shade of the rubber trees with coins of sunshine dancing on his body'') and sensuous descriptive passages (``The sky was orange, and the coconut trees were sea anemones waving their tentacles, hoping to trap and eat an unsuspecting cloud'').

In part a perfectly paced mystery story, in part an Indian Wuthering Heights: a gorgeous and seductive fever dream of a novel, and a truly spectacular debut. (First serial to Granta)

Pub Date: May 1, 1997

ISBN: 0-679-45731-3

Page Count: 368

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1997

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TRUE COLORS

Above-average formula fiction, making full display of the author’s strong suits: sense of place, compassion for characters...

Female rivalry is again the main preoccupation of Hannah’s latest Pacific Northwest sob saga (Firefly Lane, 2008, etc.).

At Water’s Edge, the family seat overlooking Hood Canal, Vivi Ann, youngest and prettiest of the Grey sisters and a champion horsewoman, has persuaded embittered patriarch Henry to turn the tumbledown ranch into a Western-style equestrian arena. Eldest sister Winona, a respected lawyer in the nearby village of Oyster Shores, hires taciturn ranch hand Dallas Raintree, a half-Native American. Middle sister Aurora, stay-at-home mother of twins, languishes in a dull marriage. Winona, overweight since adolescence, envies Vivi, whose looks get her everything she wants, especially men. Indeed, Winona’s childhood crush Luke recently proposed to Vivi. Despite Aurora’s urging (her principal role is as sisterly referee), Winona won’t tell Vivi she loves Luke. Yearning for Dallas, Vivi stands up Luke to fall into bed with the enigmatic, tattooed cowboy. Winona snitches to Luke: engagement off. Vivi marries Dallas over Henry’s objections. The love-match triumphs, and Dallas, though scarred by child abuse, is an exemplary father to son Noah. One Christmas Eve, the town floozy is raped and murdered. An eyewitness and forensic evidence incriminate Dallas. Winona refuses to represent him, consigning him to the inept services of a public defender. After a guilty verdict, he’s sentenced to life without parole. A decade later, Winona has reached an uneasy truce with Vivi, who’s still pining for Dallas. Noah is a sullen teen, Aurora a brittle but resigned divorcée. Noah learns about the Seattle Innocence Project. Could modern DNA testing methods exonerate Dallas? Will Aunt Winona redeem herself by reopening the case? The outcome, while predictable, is achieved with more suspense and less sentimental histrionics than usual for Hannah.

Above-average formula fiction, making full display of the author’s strong suits: sense of place, compassion for characters and understanding of family dynamics.

Pub Date: Feb. 9, 2009

ISBN: 978-0-312-36410-6

Page Count: 400

Publisher: St. Martin's

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Oct. 15, 2008

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