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END TIMES

An action-packed and refreshingly innovative take on a popular genre.

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In this theological thriller, a veteran police officer attempts to track down a peculiarly talented man suffering from amnesia who may be the key to the fate of the world. 

Sgt. Alex Randall sees an “impossibly good looking” man meandering about aimlessly down a dead-end road. When he stops to check on his well-being, Randall discovers the man is suffering from radical amnesia. Not only does he not remember his own name, he seems to know virtually nothing about the world—he has to inquire what an ID is when asked to produce one. Randall decides to take him to Templeton Hall, a local psychiatric institute, where the stranger immediately charms the entire nursing staff—he’s so handsome, they name him Rex, Latin for king. Rex is visited at the hospital by an old man who warns him to flee—evil is fast approaching—and the next day, he’s disappeared and everyone at the facility, more than two dozen people, is found tortured and dead. Meanwhile, a man named Camael visits Randall and requests his help to find Rex—he’s willing to pay extravagant sums of money. He claims that Rex’s life is somehow wrapped up in the destiny of humanity, and despite the utter implausibility of his view, Randall is inclined to believe him and suspects he is an angel. Rex is preternaturally gifted at all things, and is recruited to become some kind of star—maybe a musician or a baseball player or actor—and is represented by Molly Simon, a photographer eager to capitalize on his infinite skills and marquee good looks. In his energetic novel, Carroll (The Horror Writer, 2017, etc.), a bestselling author and former journalist twice nominated for a Pulitzer Prize, artfully combines two genres—a hard-boiled detective mystery and a religion-infused tale about the end of the world. He blends the inventive with the stale, creating an unpredictable adventure within an all-too-familiar formula. But Randall’s character is a notable point of weakness—it’s hard to square his history as a policeman and soldier with his quick credulity. It’s remarkably early in the story when he confidently claims to Molly: “Make up your own mind…but to me it’s looking like a good versus evil thing.”

An action-packed and refreshingly innovative take on a popular genre.

Pub Date: Jan. 25, 2019

ISBN: 978-0-9898269-6-9

Page Count: 448

Publisher: Swaggering Press

Review Posted Online: April 27, 2019

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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