Next book

THE GREAT LIARS

THEY KNEW HE KNEW. TOO BAD FOR HIM.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

Veteran novelist Carroll (Dog Eat Dog, 1999, etc.) offers a heady brew of military history and conspiracy theory that will appeal to aficionados of both.

The Pulitzer Prize–nominated journalist smartly centers this historical novel, an amalgam of fact and supposition, on a charming rogue. Lowell Brady is a junior naval officer looking for a safe place to ride out the seemingly inevitable World War II. As the son of a wealthy mother and the stepson of an influential senator, he sees it as his natural-born right; years later, he says, “[Y]ou run into men who say they want to be ‘tested’ in battle, but…ignorance explains the greater part of that. Being in a situation where heroes are made is damned poor planning in the first place.” His henpecked stepfather was a confidant of President Franklin Roosevelt, and FDR decides to use young Brady’s natural proclivity as a gossip to gather information at the highest levels of American and British societies. The president wants to find a way to overcome the American public’s aversion to joining the war effort before it’s too late. Brady undergoes a dizzying ascension, during which he meets such historical giants as Winston Churchill and Josef Stalin, but he eventually becomes a man who knows too much—and his minimal conscience ends up getting him in trouble with the powers that be. Later, in 1953, Smithsonian researcher Harriet Gallatin discovers Brady living under a pseudonym in a veteran’s home, where he tells her a shocking tale: Roosevelt, he says, “schemed to bring us into war with Japan, and even knew that their fleet was en route to Pearl Harbor.” As a result, she soon finds herself in danger as well. Carroll believably brings both historical and fictional figures to life while slowly and skillfully unreeling Brady’s story, which shifts back and forth between World War II and the early 1950s. The fast-paced story successfully juxtaposes Brady’s own first-person remembrances and Gallatin’s initially skeptical analysis of the man (“Brady said that most of the recent history I knew was bunk”). Overall, the author’s journalistic style develops a detailed portrait of an unlucky man caught up in events far beyond his control.


A riveting adventure that effectively explores the idea that history is written by the winners.

Pub Date: Feb. 1, 2014

ISBN: 978-0989826907

Page Count: 360

Publisher: CreateSpace

Review Posted Online: Sept. 15, 2014

Kirkus Reviews Issue: Oct. 15, 2014

Categories:
Next book

LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

Categories:
Next book

DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

Categories:
Close Quickview