by Jerry Oppenheimer ‧ RELEASE DATE: Aug. 13, 2013
A gossipy, character-driven saga suggesting that the spoiled rich are their own worst enemies.
A prolific biographer of the rich and infamous, Oppenheimer (Madoff with the Money, 2009, etc.) digs into five generations of the Johnson family, “the most dysfunctional family in the Fortune 500.”
Founded in 1887 by three Johnson brothers, Johnson & Johnson became synonymous with products such as Band-Aids and baby powder. The author occasionally reveals corporate strategies and secrets but mostly focuses on the members of the extended Johnson family, detailing their mind-boggling personal wealth. Hundreds of names come and go throughout the narrative, with Oppenheimer concentrating on 15 blood relatives, their spouses and business partners. The book is largely a fast-paced chronicle of births, courtings, marriages, divorces, estrangements, bitter lawsuits, drug and alcohol abuses, crimes, memorable deaths and other unpleasantness. After the first generation, members of the Johnson family found it difficult to decipher whether outsiders cared about them for their personalities or only for their wealth. That kind of doubt can cause havoc with emotional stability, as Oppenheimer demonstrates with frequent salacious details of the lives of his protagonists. As is the case with his other unauthorized biographies, the author usually reveals little about whether his information derives from primary or secondary sources. The writing is clear but often painful to read due to the use of clichés and trite metaphors. One Johnson family member emerges as the chief subject: Robert Wood Johnson IV, a great-grandson of a company founder. Oppenheimer uses the nickname “Woody” to identify the protagonist, frequently coming back to his fundraising for Republican presidential candidates and his ownership of the New York Jets.
A gossipy, character-driven saga suggesting that the spoiled rich are their own worst enemies.Pub Date: Aug. 13, 2013
ISBN: 978-0-312-66211-0
Page Count: 464
Publisher: St. Martin's
Review Posted Online: May 4, 2013
Kirkus Reviews Issue: May 15, 2013
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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