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ANNA WINTOUR: THE COOL LIFE AND HOT TIMES OF VOGUE’S EDITOR IN CHIEF

All the minutiae can’t hide the fact that since Wintour herself declined to participate, her interior life remains unknown....

Gleefully vicious biography of a New York fashion icon.

She edits the fashion world’s bible but couldn’t stay faithful to her husband. That’s Oppenheimer’s take on Wintour’s life: five decades of ruthlessness leading inexorably to huge professional success and crashing personal failures. Oppenheimer (The Other Mrs. Kennedy, 1994, etc.) starts with Wintour’s family, Wintour’s adolescent rebellion, her parents’ divorce, her many boyfriends, and her failure ever to graduate from college. At early jobs, she was miles ahead of the other girls in terms of ambition and style, as well as of cruelty (she was dubbed “bacon slicer” for her sharp tongue); more than one coworker also recalls that she couldn’t write copy for her fashion spreads, a handicap she apparently never overcame. Oppenheimer gives equal time to her jobs and her men, here chronicling affairs and there pointing out, delightedly, that Anna spent two years at Bob Guccione’s Viva magazine in the ’70s. The story winds up in the present, presenting Anna at American Vogue (she’d been at British Vogue earlier), twisting S.I. Newhouse around her little finger. Her innovative styling is well documented, as is her slash-and-burn technique of assimilating magazine staff (her once-trusted, recently sabotaged personal assistant was happy to discuss specifics with the author). In fact, the number of sources willing to be interviewed and quoted by name is the best indication of Wintour’s ability to command loyalty. There are details and revelations galore; unfortunately, the author’s completist tendencies—recounting the number of buttons on Anna’s high-school gym uniform, for example—bloat what could be a much more streamlined hatchet job.

All the minutiae can’t hide the fact that since Wintour herself declined to participate, her interior life remains unknown. Those looking for fashion-world dish won't quibble, since Oppenheimer otherwise offers such an in-depth look at Anna’s “bitch-eat-bitch world.”

Pub Date: Feb. 1, 2005

ISBN: 0-312-32310-7

Page Count: 384

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2004

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Awards & Accolades

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  • Kirkus Reviews'
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  • Pulitzer Prize Finalist


  • National Book Award Winner

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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