All the minutiae can’t hide the fact that since Wintour herself declined to participate, her interior life remains unknown....
Gleefully vicious biography of a New York fashion icon.
She edits the fashion world’s bible but couldn’t stay faithful to her husband. That’s Oppenheimer’s take on Wintour’s life: five decades of ruthlessness leading inexorably to huge professional success and crashing personal failures. Oppenheimer (The Other Mrs. Kennedy, 1994, etc.) starts with Wintour’s family, Wintour’s adolescent rebellion, her parents’ divorce, her many boyfriends, and her failure ever to graduate from college. At early jobs, she was miles ahead of the other girls in terms of ambition and style, as well as of cruelty (she was dubbed “bacon slicer” for her sharp tongue); more than one coworker also recalls that she couldn’t write copy for her fashion spreads, a handicap she apparently never overcame. Oppenheimer gives equal time to her jobs and her men, here chronicling affairs and there pointing out, delightedly, that Anna spent two years at Bob Guccione’s Viva magazine in the ’70s. The story winds up in the present, presenting Anna at American Vogue (she’d been at British Vogue earlier), twisting S.I. Newhouse around her little finger. Her innovative styling is well documented, as is her slash-and-burn technique of assimilating magazine staff (her once-trusted, recently sabotaged personal assistant was happy to discuss specifics with the author). In fact, the number of sources willing to be interviewed and quoted by name is the best indication of Wintour’s ability to command loyalty. There are details and revelations galore; unfortunately, the author’s completist tendencies—recounting the number of buttons on Anna’s high-school gym uniform, for example—bloat what could be a much more streamlined hatchet job.
All the minutiae can’t hide the fact that since Wintour herself declined to participate, her interior life remains unknown. Those looking for fashion-world dish won't quibble, since Oppenheimer otherwise offers such an in-depth look at Anna’s “bitch-eat-bitch world.”Pub Date: Feb. 1, 2005
ISBN: 0-312-32310-7
Page Count: 384
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2004
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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