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THE KARDASHIANS

AN AMERICAN DRAMA

A fluffy diversion for celebrity-obsessed readers.

A tale of Kardashian Inc.

If John Oliver devoted a show to the famous family, it might share a bit of the snark and incredulity of this report from Oppenheimer (RFK, Jr.: Robert F. Kennedy Jr. and the Dark Side of the Dream, 2015, etc.), a prolific author of unauthorized biographies. Readers looking for gossip about the Kardashians’ present lives may be left wanting, but for lovers of 1980s prime-time drama, the author delivers with the origin story of the infamous crew. Anyone who has wondered how this “dysfunctional family with little to no discernable talent besides self-promotion” became a cultural phenomenon will enjoy Oppenheimer’s take. The author is clearly one of the unconverted, and the book feels like a companion volume to Kris Jenner’s 2011 memoir, an effort to annotate and correct the matriarch's own embellished account. He fills in the gaps and calls out Kris’ version as we learn about the doomed first husband, Robert Kardashian, second husband, (formerly) Bruce Jenner, as well as Kris’ climb to the top of Beverly Hills society. Robert, famous for his involvement in the O.J. Simpson trial, gets the kindest treatment here, with a close second going to third-born Khloe Kardashian. She appears as a child whose paternity might be suspect but whose innocence and guilelessness set her apart—at least to Oppenheimer—from the rest of the family. By far the most entertaining aspect, however, is the author’s blatant incredulousness at the history Kris wrote herself. He’s not buying it, quoting her memoir with eyes clearly rolled, featuring such caveats as “she actually avowed” and “suggesting…that she possessed a religious leaning.” The book concludes with an overview of the current clan’s net worth and doings as well as a chilling prediction of what’s next for the ever ambitious Kris Kardashian Jenner: a run for the White House and the ultimate ratings grab.

A fluffy diversion for celebrity-obsessed readers.

Pub Date: Sept. 19, 2017

ISBN: 978-1-250-08714-0

Page Count: 336

Publisher: St. Martin's

Review Posted Online: July 3, 2017

Kirkus Reviews Issue: July 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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