In a genre notorious for merely waving pompoms, West offers an unusually candid account of his personal and professional...
From the player so iconic his silhouette forms the NBA logo, a memoir intended to explain himself to fans and to...himself.
Jerry West is on everyone’s list of the greatest basketball players ever. As the general manager of the Lakers, he assembled six championship teams. He’s so beloved and admired, there’s a statue of him outside Los Angeles’s Staples Center. Who wouldn’t want to be Jerry West? Well, maybe Jerry West, for one. He played basketball, he writes, “to try and feel good about myself when everything else in my life was confusing and frustratingly unexplainable.” An abusive father, an emotionally remote mother and the Korean War death of a favorite older brother accounted for this withdrawn, overly sensitive youth who turned to basketball to feel alive and in control. The game became a sanctuary, but did nothing to repair a tormented soul and perhaps even exacerbated some “weird” tendencies that have complicated his life. Notwithstanding all his on-court success, his reputation as “Mr. Clutch,” this tortured perfectionist remains “scarred” by his failures: a one-point loss in the 1959 NCAA championship game, six NBA Finals losses to the ‘60s Celtics, not winning the MVP award for his outstanding 1969-70 season. Hardcore fans will relish West’s reflections on the game that has obsessed him, stories about teammates and opposing players and his selections for an all-time Dream Game. They’ll likely be surprised by his erudition—he peppers the narrative with allusions to writers as disparate as Malamud, Merton, Didion, Gladwell and Joseph Campbell—and the numerous, unflattering personal revelations. West makes scalding comments about people as diverse as Douglas MacArthur, Jesse Jackson and Phil Jackson, but he reserves his harshest commentary for himself as a brother, father and husband. He grapples with the role of a sports hero, a mantle he’s loath to embrace, and appears to have made a sincere, if not always successful, attempt at self-awareness.
In a genre notorious for merely waving pompoms, West offers an unusually candid account of his personal and professional life.Pub Date: Oct. 19, 2011
ISBN: 978-0-316-05349-5
Page Count: 352
Publisher: Little, Brown
Review Posted Online: Sept. 3, 2011
Kirkus Reviews Issue: Sept. 15, 2011
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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