Next book

ORAL PLEASURE

KOSINSKI AS STORYTELLER

Pieces that reveal a fine mind, a creative imagination and, sometimes, an idiosyncratic notion of fact.

A collection of interviews, speeches and essays by the late author, whose literary reputation plummeted after a 1982 article in the Village Voice accused him of plagiarism and employing ghostwriters.

Kosinski (1933–1991) won the National Book Award for his 1968 novel Steps, and before his 1982 plummet, he seemed to be everywhere, especially in magazines and on TV (numerous appearances with Johnny Carson). His widow (now also deceased) assembled these pieces, often transcribing recordings she’d made of his appearances. Neither Kosinski nor his editors (including Lupack) makes much of a defense for him; his editor relies on the frail argument that “the underlying truth” of his stories trumps factual accuracy. “Most of the charges were unproven,” says the editor, neglecting to mention which ones were. The editor has arranged the pieces in large categories (“The Practice of Fiction,” “On the Holocaust” and so on) and generally adheres to chronology within categories. So we hear Kosinski in a 1982 radio interview describing his boyhood in Poland, a boyhood that sounds a lot like the boy’s in The Painted Bird. Kosinski had the capacity to say arresting things. In a 1973 letter to his publisher, he mentions how “the imagination creates molds into which experience can fit.” He also wrote that a writer’s function is to be a “detonator” and that language is “the translation of man’s original weapons.” Unsurprisingly, there is some repetition. Twice he mentions that the writer’s task is to pause and reflect, and he repeatedly blasts TV for its numbing effects on the American mind. He also wishes that Jews would think more of the future, less of the Holocaust.

Pieces that reveal a fine mind, a creative imagination and, sometimes, an idiosyncratic notion of fact.

Pub Date: Dec. 4, 2012

ISBN: 978-0-8021-2033-5

Page Count: 432

Publisher: Grove

Review Posted Online: Oct. 16, 2012

Kirkus Reviews Issue: Nov. 15, 2012

Next book

NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

Next book

BORN SURVIVORS

THREE YOUNG MOTHERS AND THEIR EXTRAORDINARY STORY OF COURAGE, DEFIANCE, AND HOPE

An engrossing, intense, and highly descriptive narrative chronicling the ghastly conditions three pregnant women suffered...

The incredible true story of three Jewish women who survived the Holocaust.

Priska, Rachel, and Anka were married Jewish women in their early 20s when the Nazis took control of Europe. Like millions of other Jews, they were forced to give up their normal lives, all of their belongings, and their homes. Shuttled into ghettos and then off to one of the most notorious camps, Auschwitz II-Birkenau, they suffered through the Nazis’ increasing atrocities. But these three women all held a secret: they were pregnant. They were moved from Auschwitz and ended up in Mauthausen, another notorious death camp. With facing the most horrible conditions imaginable, all three gave birth right before the Allies accepted Germany’s surrender. In this meticulously detailed account, Holden (Haatchi & Little B: The Inspiring True Story of One Boy and His Dog, 2014, etc.) compiles an enormous amount of information from interviews, letters, historical records, and personal visits to the sites where this story unfolded. The graphic history places readers in the moment and provides a sense of the enduring power of love that Priska, Rachel, and Anka had for their unborn children and for the husbands they so desperately hoped to see after the war. Even though it occurred more than 70 years ago, the story’s truth is so chillingly portrayed that it seems as if it could have happened recently. These three women and their infants survived in the face of death, and, Holden writes, “their babies went on to have babies of their own and create a second and then a third generation, all of whom continue to live their lives in defiance of Hitler’s plan to erase them from history and from memory.”

An engrossing, intense, and highly descriptive narrative chronicling the ghastly conditions three pregnant women suffered through at the hands of the Nazis.

Pub Date: May 5, 2015

ISBN: 978-0-06-237025-9

Page Count: 400

Publisher: Harper/HarperCollins

Review Posted Online: March 28, 2015

Close Quickview