Though this novel begs inevitable thematic comparisons to John Green's The Fault in Our Stars (2012), it stands on its own...
A frequently hysterical confessional from a teen narrator who won't be able to convince readers he's as unlikable as he wants them to believe.
"I have no idea how to write this stupid book," narrator Greg begins. Without answering the obvious question—just why is he writing "this stupid book"?—Greg lets readers in on plenty else. His filmmaking ambitions. His unlikely friendship with the unfortunately short, chain-smoking, foulmouthed, African-American Earl of the title. And his unlikelier friendship with Rachel, the titular "dying girl." Punctuating his aggressively self-hating account with film scripts and digressions, he chronicles his senior year, in which his mother guilt-trips him into hanging out with Rachel, who has acute myelogenous leukemia. Almost professionally socially awkward, Greg navigates his unwanted relationship with Rachel by showing her the films he's made with Earl, an oeuvre begun in fifth grade with their remake of Aguirre, Wrath of God. Greg's uber-snarky narration is self-conscious in the extreme, resulting in lines like, "This entire paragraph is a moron." Debut novelist Andrews succeeds brilliantly in painting a portrait of a kid whose responses to emotional duress are entirely believable and sympathetic, however fiercely he professes his essential crappiness as a human being.
Though this novel begs inevitable thematic comparisons to John Green's The Fault in Our Stars (2012), it stands on its own in inventiveness, humor and heart. (Fiction. 14 & up)Pub Date: March 1, 2012
ISBN: 978-1-4197-0176-4
Page Count: 304
Publisher: Amulet/Abrams
Review Posted Online: Feb. 4, 2012
Kirkus Reviews Issue: Feb. 15, 2012
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Entertaining.
A tale of love and loss that spans the globe.
Instead of having a carefree summer, biracial (Korean/White) Anna is sent away from the familiarity of New York, her friends, the past school year’s scandal—and the memories of her dead boyfriend, Alexia Vronsky. While struggling with grief, her shattered self-image, and an uncertain future, Anna attempts to reclaim her summer in Seoul, where she knows only her father and grandmother. Beatrice, Alexia’s cousin, juggles her clingy girlfriend and falling for a California surfer even as she represses her grief. Meanwhile, Anna’s brother, Steven, plans for an amazing summer party, although Lolly, his girlfriend, is away at theater camp. Steven’s best friend, Dustin, and Kimmie, Lolly’s younger sister, are equally nervous about their first sexual experience together. This sequel to Anna K (2020) contains fewer mentions of luxury brands, and the characters exhibit an increased awareness of the impacts of wealth and socio-economic status. The novel also touches on issues of addiction, sexism, cultural differences, fame, relationships, love, and mental health; in particular, the portrayals of living with grief and redefining the self after a loved one dies shine. Despite some awkward time skips, the humor, pop-culture references, and characters’ distinct voices strengthen the story. Fans of the first novel will enjoy this follow-up, which is also accessible to readers new to Anna and her world. Some major characters are White; Dustin is Black and Jewish, and there is diversity in the supporting cast.
Entertaining. (cast of characters) (Fiction. 15-18)Pub Date: April 27, 2021
ISBN: 978-1-250-23646-3
Page Count: 304
Publisher: Flatiron Books
Review Posted Online: March 24, 2021
Kirkus Reviews Issue: April 15, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A concise, thoughtful narrative that challenges the concept and ideals of allyship through an unexpected lens.
A white Ivy League student reconsiders his racial and class privilege when he runs for student government.
After the death of his best friend, Manny Rivers—a Black teenager who was fatally shot by an off-duty cop—Jared Peter Christensen realized that his whiteness and wealth protected him from the bigotry that Manny couldn’t escape. Now a rising junior at an elite college in Connecticut, Jared wants to make a meaningful impact on the world. He’s also determined to block John Preston LePlante IV, a self-proclaimed “blue-blooded Florida boy,” from winning junior class council president. But Jared’s plans are thrown for a loop when he meets Dylan Marie Coleman, a Black transfer student who enters the campus election. Initially guarded, Dylan opens up to Jared, and a mutual yet fragile romantic attraction blooms. As Jared tries to sort out his conflicting feelings, he writes letters to Manny. Can he earn Dylan’s heart and—more importantly—shed his old habits? In this final installment of Stone’s trilogy that began with Dear Martin (2017), Jared’s fraught journey is depicted with nuance, emotional honesty, and accessible realism. Through his mistakes, Jared learns about the insidious consequences of white supremacy and his complicity in a corrupt system. The positive ending rightfully doesn’t fully resolve all the lingering questions, and readers will wonder if Jared continues to evolve or if his resolutions are fleeting promises.
A concise, thoughtful narrative that challenges the concept and ideals of allyship through an unexpected lens. (author's note) (Fiction. 14-18)Pub Date: March 4, 2025
ISBN: 9780593308011
Page Count: 224
Publisher: Crown
Review Posted Online: Dec. 14, 2024
Kirkus Reviews Issue: Jan. 15, 2025
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