A well-written, thoughtful debut with wide crossover potential. Inclán never condescends and never judges, preferring to let...
A 17-year-old high-schooler gives birth, with no one to help but her even younger sister: the first in NAL’s new line of women’s fiction.
No one seems to notice the pregnancy—not Kate Phillips’s teachers and certainly not her father Davis, who spends most of his free time with his girlfriend Hannah and her two young boys, stopping by his old house only occasionally. Seeing his own teenaged daughters only reminds Davis of their mother, Deirdre, a vibrant, much-loved, much-missed woman who recently died of breast cancer. His wife’s friends have given up asking after Kate and Tyler, despite their concerns—not that Kate minds. She’s never been the talkative type, and her cheerleader sister Tyler, 15, has been sworn to secrecy. The girls prepare for everything, combing through thrift stores and resale shops to provide a layette for the baby Kate is determined to deliver at home, without a doctor or midwife. They also study birthing books and videos, although the possibility of complications makes Tyler increasingly uneasy. But together the two manage to bring the baby into the world despite many hours of difficult labor. The exhausted young mother nurses her newborn daughter, whom she names Deirdre, and the sisters get her settled in an improvised nursery they’ve set up in a closet. Meanwhile, they attend school in shifts, rarely leaving the baby alone for more than an hour at a time. But the infant’s crying gives the girls away at last. Kate and Tyler are immediately placed in foster care, the baby is taken away (temporarily), and their father is forced to defend himself on charges of abandonment.
A well-written, thoughtful debut with wide crossover potential. Inclán never condescends and never judges, preferring to let her subtly drawn people speak for themselves. The understanding portrayal of her teenaged heroines—stubborn, careless, and fiercely honest—is remarkably astute.Pub Date: May 8, 2001
ISBN: 0-451-20282-1
Page Count: 240
Publisher: NAL/Berkley
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2001
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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