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STIR

MY BROKEN BRAIN AND THE MEALS THAT BROUGHT ME HOME

The recipes are simple and uncomplicated; many of them have a handful of ingredients but are prepared in a way that might...

Dealing with the aftereffects of an aneurysm through a love of cooking.

In 2008, Fechtor was moving into adulthood in a manner that could be described as ordinary. She had fallen in love, gotten married, and made her way through undergraduate school and into graduate studies at Harvard. She loved exercise, particularly running. One morning, a storm kept her from running outside, which turned out to be somewhat fortunate—if she hadn’t been on a treadmill when the aneurysm happened, she would have been much less likely to get help quickly enough. After the aneurysm, the author underwent multiple surgeries, with the standard caveats from providers about the risks and the benefits. When she awoke, she was told that, yes, she would live, but no, not like before: her sense of smell, the vision in one eye, her ability to speak as confidently as in the past, her sense of self were all changed. Physical therapy progressed slowly; there hadn’t been any neurological damage, but a month in bed had left her muscles weakened and her balance off-kilter. She began hearing that common refrain from well-meaning people: “everything happens for a reason.” She challenged that cliché—things don’t happen for a reason, but we make reasons for the things that happen. Her process of making meaning of the accident and the aftermath came to her by way of a constant throughout the many shifts of her earlier years: a love for food, flavors, and cooking. She writes with clarity and obvious joy about the foods that have meant so much to her, and she includes the recipes (she doesn’t believe in secret recipes) so as to pass it forward.

The recipes are simple and uncomplicated; many of them have a handful of ingredients but are prepared in a way that might surprise you. Fechtor’s book could be described the same way.

Pub Date: June 23, 2015

ISBN: 978-1-59463-132-0

Page Count: 288

Publisher: Avery

Review Posted Online: April 11, 2015

Kirkus Reviews Issue: May 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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