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SAD DESK SALAD

A quick-witted insider’s view of the blogosphere, media pandering, Internet privacy and the difficulty of being a good girl...

Fat celebrity thighs and coke-sniffing coeds are fair fodder in this rollicking tour into the life of a gossip blogger, from former Slate editor Grose.

When Alex graduated from Wesleyan, she was hoping for a job in serious journalism. Change the world kind of stuff. But alas, she ended up at an NYC online music journal. When an offer to write for Chick Habit came along (a real salary and the chance to write about real issues), she counted herself lucky. That was before the quotas began—she needs a million hits a month, or else. So goodbye sad stories about foreign ladies, hello Real Housewives. This new numbers game is keeping Alex shackled to her laptop, scanning news feeds all day for potentially sexy stories to blog about. Alex knows things are out of hand when her sweet boyfriend, Peter, begs her to shower. Monday begins with a story about a fallen beauty queen, but then Alex gets wind of a hate blog directed at her: Break the Chick Habit, or BTCH. Alex, Tina and Rel, two other writers at Chick Habit, commiserate over scorpion bowls. Hate bloggers are common, but this one seems to have a lot of intimate information. Tuesday brings Alex a shot at blogger fame when an anonymous link is sent to her email. In the video, Becky West, MIT wunderkind, is shown snorting coke. Hardly unconventional college behavior, but it’s newsworthy because Becky’s mother is Darleen West, Tiger mom famous for her patronizing parenting books. Alex isn’t sure she should publish—does Becky deserve the notoriety? Alex’s boss, Moira, herself born of the flames of U.K. tabloids, pushes forward. The next day, the video goes viral, Alex will soon appear on the Today show, and BTCH is threatening to expose some dark secrets. Before she has a nervous breakdown, Alex has to find the missing Becky, track the creator of BTCH, reconcile with a furious Peter and patch up her fading sense of self.

A quick-witted insider’s view of the blogosphere, media pandering, Internet privacy and the difficulty of being a good girl in a bad, bad world.

Pub Date: Oct. 2, 2012

ISBN: 978-0-06-218834-2

Page Count: 304

Publisher: Morrow/HarperCollins

Review Posted Online: Sept. 1, 2012

Kirkus Reviews Issue: Sept. 15, 2012

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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