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EXHUMING MARY MCCARTHY

A nostalgia-infused ode to youthful stumbles and joys.

Lamirand’s memoir, a debut, recounts the friendships she formed during her first few years at Colorado College in the mid-’90s.

With wistful eloquence, Lamirand writes of “experiencing the beautiful beginning of what would become a bittersweet story of friendship and…blossoming into young adulthood” when she started college. Introverted, used to living in her family’s home, and prone to comparing the real world with Anne of Green Gables (“I could relate little to our modern times”), she was naïve at first, but she quickly met a group of girls who put her at ease: “the group,” whose members included beautiful Sophie and grunge-loving Selena, grew close through their shared experiences and explorations—primarily those related to young love. Lamirand developed an infatuation with Stéphane, a classmate who kept his distance, and all the girls displayed their creativity through the nicknames they bestowed upon the boys they met—Sexy Ears Sam and Squeaky Voice Gothic Boy. The title of Lamirand’s memoir may seem macabre—and the group did experiment with forming a coven—but her story is one of life’s daily dramas, all small in the grand scheme but monumental as they occur. (The title is a reference both to the author of the 1963 novel The Group and to the R.E.M. song “Exhuming McCarthy.”) Evocative images and impressions permeate the recollections, as when Lamirand writes of one of the group members, “Leigh always used her cigarette to express herself—with grace, sexuality, or pain—even with no one else around.” For readers of a certain generation, the mid-to-late ’90s setting is bound to evoke memories, particularly when references are made to The Limited, My So-Called Life, Pearl Jam, and other cultural markers. Jessica’s trajectory may be a common one, of which she is aware, but it’s told with uncommon finesse and warmth. It’s not told with brevity. The nearly 500 pages might have been condensed without loss to the overall effect, and the ending does not answer as many questions as might be desired.

A nostalgia-infused ode to youthful stumbles and joys.

Pub Date: March 10, 2015

ISBN: N/A

Page Count: 507

Publisher: Ambient Light Publishers

Review Posted Online: Feb. 17, 2015

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Awards & Accolades

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  • Kirkus Reviews'
    Best Books Of 2017


  • New York Times Bestseller


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  • National Book Award Finalist

Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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