Amelia and Charly are very close, but as different as siblings can be: Amelia focuses on academics and athletics, and is...
Teen pregnancy is a source of shame in this disappointing second outing from Martinez (Virtuosity, 2011).
Amelia and Charly are very close, but as different as siblings can be: Amelia focuses on academics and athletics, and is almost prissy in her moral uprightness, while Charly flirts with the boundaries of acceptable behavior for preachers’ kids with her devil-may-care antics and free-spirited adventures. When Charly discovers that she’s pregnant after what appears to be a one-night stand, the girls’ grandmother chooses a very mid-20th-century approach to squashing the inevitable conservative small-town gossip, sending the girls to live with their late mother’s sister, Bree, in Calgary, until Charly gives birth and selects adoptive parents for her baby. Grandma’s jaw-droppingly retro decision, motivated by a wish to protect the girls’ father from the truth, means that both girls have to go to maintain the fiction of going to acquaint themselves with their Canadian relatives. Amelia, furious at being so out of control of her life, lashes out repeatedly at Charly. Amelia doesn’t exercise much self-awareness until she sees how gracefully Ezra—the cute library worker with whom she enjoys crackling chemistry—handles his own family burdens, and Charly finally confides the terrible secret she’s been hiding. This old-fashioned–feeling problem novel lets readers down in its focus on shame rather than the hugely life-altering results of teen pregnancy.Pub Date: Oct. 16, 2012
ISBN: 978-1-4424-2055-7
Page Count: 400
Publisher: Simon Pulse/Simon & Schuster
Review Posted Online: Aug. 14, 2012
Kirkus Reviews Issue: Sept. 15, 2012
Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice.
A teenage, not-so-lonely loner endures the wilds of high school in Austin, Texas.
Norris Kaplan, the protagonist of Philippe’s debut novel, is a hypersweaty, uber-snarky black, Haitian, French-Canadian pushing to survive life in his new school. His professor mom’s new tenure-track job transplants Norris mid–school year, and his biting wit and sarcasm are exposed through his cataloging of his new world in a field guide–style burn book. He’s greeted in his new life by an assortment of acquaintances, Liam, who is white and struggling with depression; Maddie, a self-sacrificing white cheerleader with a heart of gold; and Aarti, his Indian-American love interest who offers connection. Norris’ ego, fueled by his insecurities, often gets in the way of meaningful character development. The scenes showcasing his emotional growth are too brief and, despite foreshadowing, the climax falls flat because he still gets incredible personal access to people he’s hurt. A scene where Norris is confronted by his mother for getting drunk and belligerent with a white cop is diluted by his refusal or inability to grasp the severity of the situation and the resultant minor consequences. The humor is spot-on, as is the representation of the black diaspora; the opportunity for broader conversations about other topics is there, however, the uneven buildup of detailed, meaningful exchanges and the glibness of Norris’ voice detract.
Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice. (Fiction. 13-16)Pub Date: Jan. 8, 2019
ISBN: 978-0-06-282411-0
Page Count: 384
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Oct. 14, 2018
Kirkus Reviews Issue: Nov. 1, 2018
BOOK REVIEW
Characters to love, quips to snort at, insights to ponder: typical Spinelli.
For two teenagers, a small town’s annual cautionary ritual becomes both a life- and a death-changing experience.
On the second Wednesday in June, every eighth grader in Amber Springs, Pennsylvania, gets a black shirt, the name and picture of a teen killed the previous year through reckless behavior—and the silent treatment from everyone in town. Like many of his classmates, shy, self-conscious Robbie “Worm” Tarnauer has been looking forward to Dead Wed as a day for cutting loose rather than sober reflection…until he finds himself talking to a strange girl or, as she would have it, “spectral maiden,” only he can see or touch. Becca Finch is as surprised and confused as Worm, only remembering losing control of her car on an icy slope that past Christmas Eve. But being (or having been, anyway) a more outgoing sort, she sees their encounter as a sign that she’s got a mission. What follows, in a long conversational ramble through town and beyond, is a day at once ordinary yet rich in discovery and self-discovery—not just for Worm, but for Becca too, with a climactic twist that leaves both ready, or readier, for whatever may come next. Spinelli shines at setting a tongue-in-cheek tone for a tale with serious underpinnings, and as in Stargirl (2000), readers will be swept into the relationship that develops between this adolescent odd couple. Characters follow a White default.
Characters to love, quips to snort at, insights to ponder: typical Spinelli. (Fiction. 12-15)Pub Date: Aug. 3, 2021
ISBN: 978-0-593-30667-3
Page Count: 240
Publisher: Knopf
Review Posted Online: May 31, 2021
Kirkus Reviews Issue: June 15, 2021
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