The riveting, ambitious plot and strong, moral-yet-fallible heroine are a winning combination.
Tensions between the Brotherhood and the Sisterhood, complicated by a prophecy, come to a head in the Cahill Witch Chronicles trilogy’s conclusion.
Immediately following the events of Star Cursed (2013), Cate Cahill’s devastated. While she was liberating Harwood Asylum’s prisoners, the more aggressive Sisterhood faction succeeded in their devastating mind-magic attacks on the Brotherhood’s leadership. Worse, Cate’s own sister, in the name of protecting the Sisterhood, erased Finn’s memories of Cate. Additionally, Cate’s revealed to Maura that Tess is the prophesied oracle, a betrayal of her own. The sisters are just as fractured as the Sisterhood, now led by the Machiavellian Sister Inez, a compellingly rational villain. The Brotherhood’s in flux too, and the power vacuum produces a leader as ruthless as Inez. Inez is willing to sacrifice pawns (especially non-Sisterhood and nonwitch ones) to protect the Sisterhood (and her rule)—and the Brotherhood’s only too happy to help. Meanwhile, Cate makes contact with members of the actual Resistance—including a fugitive journalist—who are chiefly interested in promoting the common man, also oppressed by the Brotherhood. The alliance is timely; a terrible plague starts slipping through the city, and class distinctions greatly affect treatment. The tinderbox of oppression and power struggles create sparks enough for an explosive ending. Actions have real consequences, and the sisters’ believable dynamic leading up to the fulfillment of the prophecy is dead-on.
The riveting, ambitious plot and strong, moral-yet-fallible heroine are a winning combination. (Fantasy. 12 & up)Pub Date: Aug. 14, 2014
ISBN: 978-0-399-257476
Page Count: 368
Publisher: Putnam
Review Posted Online: June 9, 2014
Kirkus Reviews Issue: July 1, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
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