No damsels in distress to be found here.
A short story collection that illustrates the multitudes of girlhood, womanhood, and magic.
The 16 stories in this anthology let readers traverse many worlds, from a puritanical religious community in 17th-century New England in “Afterbirth” by Andrea Cremer to the 1970s South of “The Legend of Stone Mary” by Robin Talley and the modern-day social media–laden landscape of “Starsong” by Tehlor Kay Mejia. The contributors include many top names in young adult literature, including Nova Ren Suma, Zoraida Córdova, and Anna-Marie McLemore. In “Starsong,” Esperanza Luna Mendoza Stevens offers magical advice to people via social media and flirts with another girl, a NASA-loving skeptic, through direct messaging. In “The Truth About Queenie” by Brandy Colbert, black teen Queenie is afraid to use her powers to heal after her unwitting casting of a spell results in a terrible tragedy. Shveta Thakrar’s “The Moonapple Menagerie” opens with a few lines from Yeats, the perfect complement to her lyrical, South Asian–infused story of a small coven and a terrible bargain. Several stories explore sexual assault, and one addresses the effects of emotional abuse on a family. There are also stories with LGBT content, including one that features a nonbinary character. A couple of stories resort to the white default, but this powerful and diverse collection is perfect for fans of female-led fantasy stories.
No damsels in distress to be found here. (author bios) (Fantasy. 14-18)Pub Date: Aug. 28, 2018
ISBN: 978-1-335-01627-0
Page Count: 304
Publisher: Harlequin Teen
Review Posted Online: June 17, 2018
Kirkus Reviews Issue: July 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
Eden’s emotionally raw narration is compelling despite its solipsism. (Fiction. 14-18)
In the three years following Eden’s brutal rape by her brother’s best friend, Kevin, she descends into anger, isolation, and promiscuity.
Eden’s silence about the assault is cemented by both Kevin’s confident assurance that if she tells anyone, “No one will ever believe you. You know that. No one. Not ever,” and a chillingly believable death threat. For the remainder of Eden’s freshman year, she withdraws from her family and becomes increasingly full of hatred for Kevin and the world she feels failed to protect her. But when a friend mentions that she’s “reinventing” herself, Eden embarks on a hopeful plan to do the same. She begins her sophomore year with new clothes and friendly smiles for her fellow students, which attract the romantic attentions of a kind senior athlete. But, bizarrely, Kevin’s younger sister goes on a smear campaign to label Eden a “totally slutty disgusting whore,” which sends Eden back toward self-destruction. Eden narrates in a tightly focused present tense how she withdraws again from nearly everyone and attempts to find comfort (or at least oblivion) through a series of nearly anonymous sexual encounters. This self-centeredness makes her relationships with other characters feel underdeveloped and even puzzling at times. Absent ethnic and cultural markers, Eden and her family and classmates are likely default white.
Eden’s emotionally raw narration is compelling despite its solipsism. (Fiction. 14-18)Pub Date: March 22, 2016
ISBN: 978-1-4814-4935-9
Page Count: 384
Publisher: McElderry
Review Posted Online: Dec. 15, 2015
Kirkus Reviews Issue: Jan. 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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