An excellent choice for themes of friendship and trust.
Henry stops speaking to his best friend, Bea, but Bea is still there for him when he needs a friend.
Henry and Bea understand each other, and that’s why they are best friends. They always have fun together and are pictured reading inside a tent, playing hide-and-seek, sharing a cookie, and watching the clouds. Then one day, Henry seems “quiet and sad.” He wants to be alone, and even an announcement about a field trip to a farm doesn’t make him excited. At the farm, though, Bea gently offers her company to Henry. Finally, when they are alone, Henry reveals that his beloved cat died. Bea sits with him as he cries and helps him say goodbye to his friend. When they rejoin the group in order to take shelter from a storm, Bea implicitly understands that she shouldn’t tell anyone about what he shared. On the final picture, a rainbow peeks through the storm clouds as the friends share cookies once more. Bagley’s artwork creates an emotionally resonant experience, with the use of white space, perspective, and the expanse of the double-page spread to communicate emotional closeness, distance, and isolation. Readers will be invested in this simple, elegantly told tale and will not be disappointed at its conclusion. Henry is white, Bea is brown, and their classmates are fairly diverse.
An excellent choice for themes of friendship and trust. (Picture book. 4-8)Pub Date: Oct. 8, 2019
ISBN: 978-0-8234-4284-3
Page Count: 40
Publisher: Neal Porter/Holiday House
Review Posted Online: Aug. 27, 2019
Kirkus Reviews Issue: Sept. 15, 2019
A close encounter of the best kind.
Left behind when the space bus departs, a child discovers that the moon isn’t as lifeless as it looks.
While the rest of the space-suited class follows the teacher like ducklings, one laggard carrying crayons and a sketchbook sits down to draw our home planet floating overhead, falls asleep, and wakes to see the bus zooming off. The bright yellow bus, the gaggle of playful field-trippers, and even the dull gray boulders strewn over the equally dull gray lunar surface have a rounded solidity suggestive of Plasticine models in Hare’s wordless but cinematic scenes…as do the rubbery, one-eyed, dull gray creatures (think: those stress-busting dolls with ears that pop out when squeezed) that emerge from the regolith. The mutual shock lasts but a moment before the lunarians eagerly grab the proffered crayons to brighten the bland gray setting with silly designs. The creatures dive into the dust when the bus swoops back down but pop up to exchange goodbye waves with the errant child, who turns out to be an olive-skinned kid with a mop of brown hair last seen drawing one of their new friends with the one crayon—gray, of course—left in the box. Body language is expressive enough in this debut outing to make a verbal narrative superfluous.
A close encounter of the best kind. (Picture book. 6-8)Pub Date: May 14, 2019
ISBN: 978-0-8234-4253-9
Page Count: 40
Publisher: Margaret Ferguson/Holiday House
Review Posted Online: Feb. 5, 2019
Kirkus Reviews Issue: March 1, 2019
A sweet story about falling in love with reading.
Told from the point of view of the pet cat, this story shows a reading family and the incremental ways in which a child learns to love books.
A toddler-age boy and his father, who both have beige skin and brown hair, pick out a book every night to read before bed, and the cat thrills to know it’s “Rectangle Time.” That means a “furry nuzzle” against the corners of the book as the father reads The Snowy Day aloud to his child. Time passes with the page turns, marked in the narrative by the cat’s surprise to see the boy, now a bit older, reading an Encyclopedia Brown book on his own and, after that, the even older lad reading rectangles that are “awfully small” (squinting readers will see it’s The Hobbit). The cat’s self-centered but affectionate voice is entertaining as he remarks that the boy is so engaged in reading that he momentarily dismisses his pet. The story, with its warmly colored watercolor illustrations and expressive feline, feels like a primer for adults on how to get their kids to fall in love with books: The house is filled with them; the (apparently single) dad models reading; and he regularly read aloud to the boy before his son could do so himself. (The author, currently the New York Times Book Review editor, co-authored an actual primer, How To Raise a Reader, 2019, with María Russo, that outlet’s former children’s-books editor.) It’s not a story with a climax or falling action, but the resolution—in the end, the cat merely decides that sleeping on the boy’s face will do—will still satisfy readers, especially book and cat lovers everywhere. (This book was reviewed digitally with 10-by-16-inch double-page spreads viewed at actual size.)
A sweet story about falling in love with reading. (Picture book. 4-8)Pub Date: Feb. 16, 2021
ISBN: 978-0-593-11511-4
Page Count: 32
Publisher: Philomel
Review Posted Online: Nov. 26, 2020
Kirkus Reviews Issue: Dec. 15, 2020
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