KEY WITNESS

Superior, improbable, but gripping postO.J. legal procedural that fearlessly plays well-worn race, sex, and psychokiller cards, and still wins the game. Wyatt Matthews, a middle-aged seven-figure-salaried rainmaker lawyer, is burned out from too much easy money. In an attempt to recapture the illusion of integrity that once seemed so necessary, he signs up for six months of pro bono labor in the Public Defender's Office, where he gets a stack of color-coded felony files and advice to plea-bargain as many of his charges as possible. When one of them, an incompetent holdup homeboy named Marvin White, is connected to a series of sickening rape-slasher killings, Matthews finds his crusade and decides to defend White with all the tricks of the trade. It isn't going to be easy: White is an 18-year-old semiliterate black male, and the state has what would appear to be incontrovertible lab evidence showing his guilt. Freedman (House of Smoke, 1996, etc.) piles it on a little thick with some of the villains—one has a reproduction of the Sistine Chapel's ceiling tattooed on his back, with the Devil sticking his finger out to Adam—but he invests the other familiar summer-stock players with charming eccentricities and puts them in extravagantly over-the-top settings. Despite a manipulatory plot that demands one too many contrivances to keep the suspense churning, Freedman delivers a powerfully absorbing tale of justice gone almost, but not quite, out of control. What we imagine to be a rigid, hidebound legal system is, it seems, a clash of personalities in which, every once in a while, the good guys win. An intensely accomplished, smoothly written, character-driven page-turner that, for all its flaws, manages to push the right buttons while sustaining a high level of suspense and interest. (Literary Guild/Mystery Guild selection)

Pub Date: Aug. 4, 1997

ISBN: 0-525-94334-X

Page Count: 544

Publisher: Dutton

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: June 1, 1997

Did you like this book?

No Comments Yet

A strongly felt, if not terribly gripping, sendoff for a Turow favorite nearly 35 years after his appearance in Presumed...

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

  • IndieBound Bestseller

THE LAST TRIAL

Trying his final case at 85, celebrated criminal defense lawyer Sandy Stern defends a Nobel-winning doctor and longtime friend whose cancer wonder drug saved Stern's life but subsequently led to the deaths of others.

Federal prosecutors are charging the eminent doctor, Kiril Pafko, with murder, fraud, and insider trading. An Argentine émigré like Stern, Pafko is no angel. His counselor is certain he sold stock in the company that produced the drug, g-Livia, before users' deaths were reported. The 78-year-old Nobelist is a serial adulterer whose former and current lovers have strong ties to the case. Working for one final time alongside his daughter and proficient legal partner, Marta, who has announced she will close the firm and retire along with her father following the case, Stern must deal not only with "senior moments" before Chief Judge Sonya "Sonny" Klonsky, but also his physical frailty. While taking a deep dive into the ups and downs of a complicated big-time trial, Turow (Testimony, 2017, etc.) crafts a love letter to his profession through his elegiac appreciation of Stern, who has appeared in all his Kindle County novels. The grandly mannered attorney (his favorite response is "Just so") has dedicated himself to the law at great personal cost. But had he not spent so much of his life inside courtrooms, "He never would have known himself." With its bland prosecutors, frequent focus on technical details like "double-blind clinical trials," and lack of real surprises, the novel likely will disappoint some fans of legal thrillers. But this smoothly efficient book gains timely depth through its discussion of thorny moral issues raised by a drug that can extend a cancer sufferer's life expectancy at the risk of suddenly ending it.

A strongly felt, if not terribly gripping, sendoff for a Turow favorite nearly 35 years after his appearance in Presumed Innocent.

Pub Date: May 12, 2020

ISBN: 978-1-5387-4813-8

Page Count: 448

Publisher: Grand Central Publishing

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

Did you like this book?

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

Did you like this book?

No Comments Yet
more