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HOUSE OF SMOKE

A gritty and gripping sins-of-the-fathers tale from Freedman (Against the Wind, 1991, etc.), who this time puts a couple of memorably gutsy ladies center stage. Having resigned from the Oakland PD after being involved in a hostage crisis that left three people dead, Kate Blanchard divorces her brutally abusive husband (a fellow cop) and moves to Santa Barbara in search of a fresh start. With wise counsel from a retired investigator whose practice she takes over, the 40ish Kate sets up shop as a p.i. Retained by wealthy young Laura Sparks to probe the apparent suicide of Frank Bascombe, who died in the local jail while awaiting arraignment on drug charges, the fledgling sleuth soon learns she may be out of her depth. In addition to being Laura's lover, Bascombe was foreman at the vast ranch owned by the Sparks family, and the old-money clan wants to put a quick lid on his death for fear it could sully their good name. Particularly keen on keeping Kate at bay is Miranda Sparks, Laura's mother. A calculating sexual predator who takes her pleasures where she finds them (thanks to the impotence of a beloved but feckless husband), Miranda has been entrusted by matriarch Dorothy with the stewardship of the family's presumably substantial holdings. But undaunted by pointed warnings and a severe beating, Kate keeps digging. She finally discovers that Miranda is, literally, in bed with the representative of an international oil company that wants to slant-drill into the scenic channel—anathema in environmentally correct Santa Barbara. Kate also identifies other players with sinister agendas of their own. The case she would not drop eventually resolves itself in a shocking, violent, and cathartic climax. Plucky Kate and lusty Miranda are irresistible creations in their absorbing if occasionally melodramatic duel, set in an agreeably complex coastal eden: an immensely entertaining read. (Literary Guild featured alternate)

Pub Date: Jan. 1, 1996

ISBN: 0-670-85347-X

Page Count: 410

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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