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MY NAME IS MAHATAA

Dispassionately explores how various Eastern disciplines can intersect and overlap.

In the first decades of the 20th century, an Okinawan girl learns what she needs to fulfill her destiny as a High Born One and become a Bodhisattva.

Sankey’s debut novel appears to be the middle volume of a projected trilogy. This volume takes place from 1902 to 1917 in a small village in the north of Okinawa, where Mahataa is born into a family that is financially poor but spiritually rich. At her birth, she makes an extraordinary cry that signals her high spiritual destiny; however, she must be trained carefully to fulfill it. Mahataa learns her family lore from her great-grandmother Hanaa, who is a shamanic storyteller, and is trained in meditation and tai chi by an old Taoist monk; in her native religion by the spirit of the Noro, or High Priestess, who possesses a local woman to transmit her knowledge; in prophecy and the use of the I Ching by the Yuta, or local soothsayer (a role that, at that time, was outlawed by the Japanese government); and in herbal medicine and acupuncture by the Yabuu, or medicine woman. Meanwhile, her best friend, a boy named En, is on his own spiritual path, which includes an episode of disappearance into another world under the influence of a mysterious scroll that Hanaa had left in Mahataa’s care. This is, essentially, a didactic book, presenting the essence of everything that Mahataa learns as she learns it; it’s something of a drawback for a novel when the main character’s life path is to detach herself from the kind of emotional drama that constitutes the basis of traditional Western plots. One cannot help but suspect that the first volume, in which Mahataa, in a previous life, commits the kinds of karmic sins that she has overcome in intervening lives, and the final one, in which she uses what she learns here in a later life, will be more exciting.

Dispassionately explores how various Eastern disciplines can intersect and overlap.

Pub Date: Aug. 4, 2011

ISBN: 978-1461168799

Page Count: 306

Publisher: CreateSpace

Review Posted Online: Dec. 18, 2014

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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