A bare-bones narrative of a brash girl growing up in Los Angeles in the turbulent 1960s, determined to overcome her father's painful neglect. Novelist Ciment (The Law of Falling Bodies, 1993) looks back on her adolescence without pity and without judgment. She recounts years spent breaking into cars and houses, shoplifting, forging, and cutting school in a dry, deadpan tone that suits L.A.'s desert atmosphere. She, her mother, and her three brothers eke out a precarious living when her mother forces her emotionally and financially stingy father to leave. This bad girl who can barely spell has only one real interest—art. Despite a 30-year age difference, she becomes infatuated with Arnold, her married art teacher. (Curiously, Ciment never comments on the possibility that she may be searching for a father figure.) Seventeen in 1970, and desperate to escape L.A., Ciment scrapes up money to move to New York City. After posing nude at a sleazy ``modeling agency,'' she is overwhelmed by loneliness that sends her reeling back home, where she and Arnold consummate their affair and start living together. She gets into art school on the strength of her portfolio and a friend's willingness to take the SAT for her. Flash forward to 1986: Ciment (now a writer) and Arnold are living in New York when she receives a letter from her father—his first overture in years. The two guardedly reconcile, and she visits him in the hospital. When he dies soon after, she seems to grieve, not for him, but for what might have been, had he been a better father. This flawed but compelling memoir lacks a deeper level of introspection and a fuller sense of the Ciment family, but the author is a triumphantly self-made woman and her book gives us the agony—and intermittent joy—of the process in tough, spare, convincing language. (Author tour)
Pub Date: July 1, 1996
ISBN: 0-517-70171-5
Page Count: 224
Publisher: Crown
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: May 1, 1996
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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